Charles de beriot biography
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However, Malibran died the same year from injuries sustained in a fall from a horse.
After Malibran's death, de Bériot lived in Brussels, playing little in public. Bériot’s compositional and performance style made a synthesis of Niccolò Paganini’s virtuosic fireworks with the elegance and emotional sensitivity of the classic French tradition.
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Charles Auguste de Bériot
Charles-Auguste de Bériot, (born Feb. 20, 1802, Leuven, Belg.—died April 8, 1870, Brussels), Belgian violinist and composer known for establishing a particular performance style (the Franco-Belgian school) that combined classical elegance with technical virtuosity.
Impending blindness forced his retirement in 1852.
In 1841, however, he went on tour in Germany, where he met and married Marie Huber, daughter of a magistrate of Vienna. They were married in 1836 when Malibran obtained an annulment of her previous marriage. After a brief period as a student of another great French School violinist, Pierre Baillot, Bériot began his extraordinary concert career, creating a sensation in London and Paris.
His life took a decidedly romantic turn when he met María Malibran (née Garcia), perhaps the most famous opera diva of the nineteenth century.
After years of legal wrangling, María’s marriage was annulled by the French courts in 1835, and in March 1836 Bériot and María officially became man and wife. In 1842 he declined the chair left vacant by Baillot at the Paris Conservatory to serve as head of the violin faculty at the Brussels Conservatory. His son Charles-Wilfrid was a pianist who taught Granados, Ravel and Viñes.
Bériot died in Leuven at the age of 68.
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He served as chamber violinist to King Charles X of France and to King William I of the Netherlands and toured with great success to London, Paris and the great music centres of Europe.Bériot lived together with the opera singer Maria Malibran and had a child with her in 1833.
In the former he was quite inventive, writing concertos with only one movement, or connected movements (one “official” movement although each of the traditional three movements is visible in the structure), or using themes in more than one movement as a unifying device – fairly new procedures for the time.
Bériot also used many of the same techniques that Paganini was also using in his works: harmonics, extensive use of double stops, and ricochet bowing.
Like almost all of the great virtuosos of the period, he was a dedicated pedagogue and spent a great deal of time on his various studies or caprices designed to create mastery of the instrument. Felix Mendelssohn wrote an aria accompanied by a solo violin especially for the couple. "Charles-Auguste de Bériot".
She died only months into the marriage, and he did not resume his career for two years. In his concertos, however, Bériot is not interested in mere technique. He flourished at the height of the romantic era, and his music reflects this. Paralysis of the left arm ended his career in 1866.
Returning to Brussels, he was named solo violinist to King William I of the Netherlands.
All of his violin writing, no matter how much it relies on a formidable technique, is very much “within” the capabilities of the violin.
The ability to communicate was evident in all Bériot’s music. [1]
In 1842, Baillot died, and his position as instructor at the Paris Conservatoire was offered to de Bériot.