Youtube otto dix biography
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His work became even darker and more allegorical in the early 1930s, and he became a target of the Nazis. From his mother, a seamstress, he received a love of music and poetry. No longer a seat of government, it suffered a huge drop in income and severe rationing. The skat players are war veterans horribly disfigured and crippled by their service, yet they are still able to play cards.
He had already taken on some elements of Futurism and Cubism during the war years; now he began integrating Dadaist and Expressionist elements into his work. Throughout the 1950s and '60s, he traveled a great deal and exhibited his work constantly. However, he was also impressed by the Expressionists and the Post-Impressionists and in particular by a Vincent van Gogh exhibition that he saw in 1913.
The Life of Otto Dix (1891-1969)
Provocative Art
▪ Overview of the life of the German
artist Otto Dix - produced & published
by Paul Priestley on February 7th, 2023.
Summary:
▪ Born in 1891 in Untermhaus, Germany,
Dix was a prolific and versatile painter who
produced works in a variety of styles, including
Expressionism, New Objectivity & Surrealism.
He was sent to a rural outpost and portrayed the surrounding landscapes in his work. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.
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Otto Dix German, 1891-1969
Otto Dix is considered one of the most important German artists of the Weimar era (together with Max Beckmann and George Grosz), not least for his etching cycle War—a seminal anti-war statement.
Like so many of his compatriots, he was profoundly traumatized by combat. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. Later, his approach became more fantastic and symbolic, and he began to depict nudes as witches or personifications of melancholy.
He was captured by the French at the end of the war and held prisoner until 1946. Dix shows him in front of the snow-covered facade of a typically ornate Dresden building, which appears to have been shattered during the war. Although the rise of abstraction in the 1940s and 1950s continued to erode the importance of figurative portraiture, the tradition of portrait painting has continued throughout the West, and many leading artists continue to speak of Otto Dix with reverence.
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More negative attention followed that autumn, when War Cripples was exhibited in “Images of Decadence in Art.” By 1934, Dix was forbidden to paint in Germany, and in 1936, he relocated to Switzerland, where he limited his subject matter to innocuous landscapes. Dix was a Verist and, with a critical spirit, he turned his portrait skills on the decadence and debauchery of Weimar society, with works like Metropolis (1927-28).
From 1925 through the end of that decade, he grew more successful, but by the 1930s, the National Socialist Party was targeting him as “subversive.” Perhaps unsurprisingly, Dix was forced to resign from his professorship at the Dresden Academy almost as soon as Hitler came to power, in March 1933. In 1921, he participated in exhibitions in Berlin and Dresden before moving to Düsseldorf in 1922.
His maturity as an artist and a man can be chronicled in these reflective and intense studies of his own image. Primarily painting portraits and landscapes, Dix experimented with pen and ink and made his first prints in 1913.
Mature Period
When WWI began, Dix volunteered, somewhat eagerly, for service, and was drafted into a field artillery regiment; but by 1915 he was a machine gunner at the frontlines in France, and his experience of several horrific battles began to sour his enthusiasm.