Lewis hine photography dates

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From these various assignments came forth a portfolio, which Hine called “Work Portraits.” In April 1924, Hine received the Art Directors Club of New York Medal for photography. In addition, Hine photographed housewives; he believed, the homemaker deserves recognition as one of our workers.

The early 1930s marked our country’s greatest depression, and Hine so desperately wanted to take part with Roy Stryker, who led the FSA project of documenting the people of the depression, but was repeatedly denied.

Hine gained recognition and was soon commissioned for other work.

During WWI, the American Red Cross hired Hine to photograph the relief mission to France and the Balkans. Hine’s entire oeuvre is on show, ranging from his earliest portraits of immigrants on Ellis Island to his work in Europe after the First World War. The Lewis Hine touring exhibition was on display in Paris toward the end of 2011, and in Madrid at the beginning of this year.

His guises would take the form of a Bible Salesman, postcard salesman, or an industrial photographer to record machinery. There Hine used photographs as educational tools, and soon began to photograph immigrants at Ellis Island. The impact of these photographs on social reform was immediate and profound. 1.

  • Steamfitter Lewis Hine 1921

  • Old Timer Structural Worker Lewis Hine 1930

  • Ten Arm Owens Automatic Bottle Machine Lewis Hine 1913

  • Smallest Boy is Joseph Fortin.

    lewis hine photography dates

    Eventually these images helped convince government officials to create and strictly enforce laws against child labor. Hine published a series of photo essays and played a major role in The Pittsburgh Survey, a survey of social and living conditions inequality of that industrialized city. Hine said, “where after several years I worked up as far as supervising sweeper”.

    This introduction opened doors to more relationships and eventually Lewis Hine became a freelance photographer for the National Child Labor Committee (NCLC), an agency that promoted and aided enactment of child labor laws. Unfortunately success and reputation counted for nought. He immediately appointed Hine as the nature study and geography educator. After Hine’s death, his son donated his prints and negatives to the Photo League, a group of socially committed professional photographers.

    Museums and collectors value the artistry of the original artist/photographer, but it is not difficult for an experienced photographer to create new prints from original negatives.

    Today Lewis Hine is considered one of the most influential photographers of the 20th century and a pioneer of social documentary photography. His photos were partly responsible for reforms in these fields.

    The ageing Hine, however, was disappointed at the rebuff of his attempts to secure work with the Farm Services Administration, where director Roy Stryker considered Hine old fashioned and difficult. The project entitled Building the Rotterdam – a work in progress by Ruud Sies was inspired by the work of Lewis Hine and establishes the connection with the Wilhelminapier as a historical location.