Fonville winans biography of william
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His iconic photographs tell the story of the unique people, places, and customs of Louisiana’s rich and distinct culture. This was the first major collection of Winans, leading to a Paris exhibit of his works and a visit to France by the photographer later that same year.
Fonville Winans died in Louisiana on September 13, 1992.
A portion of Fonville's work is stored in Hill Memorial Library, located on the campus of Louisiana State University in Baton Rouge.
In 1995, LSU Press issued Fonville Winans' Louisiana: Politics, People, and Places, a collection of over one hundred images by Fonville with a foreword by Louisiana politico James Carville and an afterword by noted contemporary Louisiana photographer C.C.
Lockwood.
In 1999, Fonville's studio joined the National Register of Historic Places.
Fonville enjoyed working in the darkroom because it afforded him the opportunity to have input on the creativity side of the photographic process. Baton Rouge: Louisiana State University Press, 1995.Additional Data
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Bayou Girl (Tree in Park)
Fonville Winans
Bayou Teche Fisherman
Fonville Winans
Cajun Fare (Fat of the Land, Morgan City)
Fonville Winans
Children with a Camera Tripod
Fonville Winans
Country Estate, House and cows
Fonville Winans
Dancers
Fonville Winans
Dixie Belles
Fonville Winans
Earl Long making a speech
Fonville Winans
Ferry Landing Baton Rouge From Port Allen
Fonville Winans
Huey Long and President James Monroe Smith of LSU
Fonville Winans
About Fonville
Theodore Fonville Winans
…was an internationally renowned photographer whose remarkable black and white images captured the soul of Louisiana in the early twentieth century.
. Yet Fonville became best known for his images of south Louisiana's rugged outdoors, as well as its fishermen and swamp dwellers.
Fonville rode a bicycle and, in later years, he hosted challenging Sunday brunch/bicycle tours of Baton Rouge.
In 1991, Marval Editions published Cajun: Fonville Winans by Ben Forkner.
"I had a side porch I covered with tar paper," he recalled, "and made into a darkroom.
Winans never intended his work in southern Louisiana to be commercial; his images were taken for personal rather than professional use.
Ready to give up his “adventuring” for a more stable career, Winans enrolled in Louisiana State University in 1934. One of his best-known pictures was made in 1939 in an underground salt mine at Avery Island.
In the mid-1930s Winans made his first political portraits, initiating what would become another lifelong fascination.
During his lifetime, Winans earned recognition as a commercial photographer who often photographed Louisiana politicians, including many of the state governors. I wasn’t even a freelancer. In 1990, the Foundation for Historical Louisiana recognized Winans’ contributions to the historical record by awarding him its Preservation Award. “It was like being in the darkest Africa, alligators, palmettos and Spanish moss.
His work provides a comprehensive survey of the commercial life of the state, including oil fields, paper mills, the sugarcane industry, moss companies, and even a frog-canning business. Fonville photographed LSU student Joanne Woodward. I used my bathroom for plumbing fixtures. This is a highly coveted historic photograph and the only known LSU sports memorabilia with all four LSU National Championship coaches’ signatures.
View This ProductFonville Winans
Fonville was born on in Mexico, Missouri and spent part of his childhood in Fort Worth, Texas, where, as a senior in high school, he purchased his first camera, a Kodak 3A model.
Baton Rouge: Louisiana State University Press, 1990.
Vetter, Cyril E. Fonville Winans’ Louisiana: Politics, People, and Places. As a senior in high school he bought his first camera and only a few days later won a photography contest. “
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LSU National Championship Coaches Signed Print
The 2022 Specialty Item of the Year is the LSU Football Championship Coaches Signed Print.
. I just took them for fun. In 1940 he opened his own commercial photography business in Baton Rouge, where he lived and worked until his death on September 13, 1992.
Although much of his work was relatively unknown for many years, his photographs have appeared in several publications, including Harnett T. Kane’s “Bayous of Louisiana” (1943), William Faulkner’s “Rushton’s The Cajuns” (1979), and Myron Tassin’s “Nous Sommes Acadiens/We Are Acadians” (1976).
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