Jonathan mills composer biography dvd
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Retrieved 3 September 2024.
Worse still, rather than becoming more hygienic and liveable, safer and sociable, the highly artificial idea of a functional city where one ‘resides’ in a series of elevated edifices, isolated from places of work, recreation, worship, or refreshment, has the opposite effect.
The functional city has also led to some very artificial ways of organising cultural activity.
He is currently Director of the Edinburgh International Culture Summit, a UNESCO-recognised biennial meeting held in conjunction with Edinburgh’s summer festivals and is the current President of the EFFE International Jury. Retrieved 23 April 2014
In the Australian 2011 Queen's Birthday Honours, he was appointed a Officer of the Order of Australia (AO), "for distinguished service to the performing arts as a composer and director of international festivals, through the promotion of cultural exchange, and to public debate".[17]
He was knighted in the UK Queen's Birthday Honours of 2013.[11][18][19]
He was appointed a Knight of the Order of Arts and Letters (Chevalier de l'Ordre des Arts et des Lettres) by the French Minister of Culture in 2013.
Retrieved 23 April 2014
Retrieved 10 June 2024.
Retrieved 23 April 2014
10 June 2024. "Melbourne Arts Centre appoints Jonathan Mills". Jonathan is visiting Professor at the University of Edinburgh and Vice Chancellor’s (Professorial) Fellow at the University of Melbourne. EFFE (Europe for Festivals, Festivals for Europe) was initiated by the European Festivals Association.
Retrieved 23 April 2014
It was during these years that he composed Four First Songs, a song cycle for radio on poems by Martin Harrison, and the ballet The Ethereal Eye, which focussed on the architects who designed and built Canberra as the new capital of Australia.[1] In 1999 came his first chamber opera, The Ghost Wife, to a libretto by Dorothy Porter based on the short story The Chosen Vessel by Barbara Baynton,[8] set in the Australian bush at the beginning of the twentieth century.[1] The opera was premiered at the 1999 Melbourne Festival and had numerous productions in other capitals.