Jogen chowdhury biography of martin luther
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Chowdhury begins attending literary meets across the city.
1955-60
Is a student at Government College of Arts and Crafts, Calcutta. Known for his unique style that combines traditional Indian techniques with modernist sensibilities, Chowdhury’s work often explores themes of human struggle, social injustice, and the complexities of life in post-independence India.
Chowdhury's family migrated to India during the Partition, an experience that profoundly influenced his artistic outlook.
Paints late into the night. K. Bikram Singh makes a film on him, A Painter’s Portrait, for the national broadcasting service, Doordarshan.
1998
Exhibits in Amsterdam and Paris.
1998-2000
Is a member of the advisory committee of the National Gallery of Modern Art, New Delhi.
2000
His portfolio of serigraphs made by Archer Gallery, Ahmedabad, is released by Bhupen Khakar.
2001
Is presented the Kalidas Samman by the Government of Madhya Pradesh.
His distinctive portrayal of disfigured and contorted human forms serves as a powerful commentary on the decadence and decay inherent in society, reflecting both its vulnerabilities and complexities. Other key themes include isolation of urban life, conflict between power and vulnerability, and complexity in human relationships.
Painting Style & Technique
Jogen Chowdhury is renowned for his distinctive figurative expressionism, characterized by the distortion of human figures to convey psychological tension, vulnerability, and irony.
Banga Bibhushan Award, Government of West Bengal (2012)
This civilian honor acknowledged his significant contributions to the cultural identity of Bengal, reinforcing his legacy as one of the foremost contemporary artists from the region.
6. Becomes a film buff during this period, enjoys world cinema.
1957
Paints the pensive Portrait of My Boudi and another pastel of his sister, Namita.
1958
Receives awards for his watercolours from the Academy of Fine Arts, Calcutta, as well as the Calcutta University Institute Exhibition.
1959
Receives a gold medal in watercolour painting from the Academy of Fine Arts, and the Government College of Arts and Crafts.
1960
Starts working as an arts teacher at the Howrah Zilla School as well as at the Studio of Academy of Fine Arts, Calcutta.
Couple II
Medium: Ink, pastel, and poster paint.
Description: This piece showcases Chowdhury's ability to capture intimate moments with a blend of vibrant colors and emotive lines.
2. He studied at the Government College of Art & Craft in Kolkata and later at the École Nationale Supérieure des Beaux-Arts in Paris, where he was exposed to global modernist movements.
His paintings provide a nuanced exploration of these themes, offering a profound commentary on the human condition.
Jogen Chowdhury’s painting technique is rooted in his intricate linework and textured surfaces, which he achieves through mediums like ink, watercolor, pastels, and oil on canvas. A retrospective, ‘Jogen Chowdhury: Reverie and Reality (1955 to 2015)’ opens at Kolkata’s Emami Art Gallery.
2020
Begins work on the sculpture, Elephant Museum, that he casts in Indonesia.
Jogen Chowdhary
Jogen Chowdhury, born on February 19, 1939, in Faridpur, Bengal (now in Bangladesh), is a renowned Indian painter and one of the most significant figures in contemporary Indian art.
Despite the challenges of migration and rebuilding their lives, the close-knit family played a pivotal role in fostering Jogen’s creative journey.
Early Life
Jogen Chowdhury was born in 1939 in a small village called Faridpur in present-day Bangladesh (then part of British India). However, when Chowdhury discovered his unique voice, his art became more stylised and abstract, but humanity was always rooted in human figures and experiences.
The Parisian period was replete with new explorations for the modern art movements, mainly propagated through the painters Paul Klee and Henri Matisse, and finally found a distinctly unique style marked by sinuous, sensuous lines and master cross-hatching.
Santiniketan
Jogen Chowdhury's connection to Santiniketan began in 1987 when he joined Kala Bhavan as a professor of painting.
Man (1980)
Medium: Not specified.
Description: Featured in a retrospective, this work highlights Chowdhury's early style and thematic focus.
8.
These lines are not just a stylistic choice but a metaphor for resilience and continuity, reflecting the struggles and complexities of existence. Retired Horse
Medium: Oil on canvas.
Description: A poignant depiction of a worn-out horse, symbolizing resilience and regeneration rather than death.
3. Mapin Publications’ Image and Imagination has an essay on Jogen Chowdhury by Geeti Sen.
1997
Solo exhibition at the Singapore Art Museum in association with the National Gallery of Modern Art.
Is a jury member for the Indian section of the International Triennale, New Delhi. This marked a significant shift from his previous role at Rashtrapati Bhavan in Delhi, where he served as an art keeper from 1972. As we continue to appreciate and study his work, Chowdhury's legacy serves as a testament to the power of art in reflecting and shaping our collective consciousness.