Lorenzo da ponte biography of williams
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Lorenzo Da Ponte (1749-1838)
He was born "Emanuele Conegliano" in Ceneda (now the Italian city of Vittorio Veneto) in the Venetian Republic. [2]
All of Da Ponte's works were adaptations of pre-existing plots, as was common among librettists of the time, with the exceptions of L'arbore di Diana with Vicente Martín y Soler, and Così fan tutte, which he began with Salieri, but completed with Mozart.
He was not salaried: students paid him directly, and registration fluctuated. Still later, he studied to be a teacher and was ordained a Catholic priest in 1773, after training at the seminary at Portogruaro. In London, he struggled to make ends meet as a teacher and a grocer before securing a position as librettist to the King's Theatre in 1803. He brought dozens of Italian books with him from overseas and ordered more in hopes of reselling them in his new country.
His version of the Don Juan legend has had a lasting literary influence. His funeral attracted an enormous crowd of New York's most cultured names, from the richest to the poorest. Emanuele took the name of Lorenzo da Ponte from the Bishop of Ceneda who baptised him. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation.
ISBN 978-3-7757-1748-9
Excessive running costs and his lack of business acumen saw it sold to cover debts just two years later, but it was the predecessor of the New York Academy of Music and the Metropolitan Opera. New York: AMS Press, 1966.
Before his marriage at Trieste in 1791 to the German-Jewish Nancy Grahl (by whom he had six children), he had at least three serious mistresses and in Venice he'd been friends with the most renowned Lothario of them all, Casanova.
Charged with "public concubinage and rapito di donna onesta" (abduction of a respectable woman), Da Ponte was banished from Venice for fifteen years.[1]
Da Ponte travelled to Austria, and applied for the post of Poet to the Theatres. New York: The Orion Press, 1959. Another distinction shared by him with Mozart is the fact his place of burial is unmarked.
1913.
| Persondata | |
|---|---|
| Name | Da Ponte, Lorenzo |
| Alternative names | Conegliano, Emanuele (real name) |
| Short description | Venetian opera librettist and poet |
| Date of birth | 10 March 1749 |
| Place of birth | Ceneda, Republic of Venice |
| Date of death | 17 August 1838 |
| Place of death | New York |
- 1749 births
- 1838 deaths
- People from Vittorio Veneto
- Italian Jews
- American Jews
- American Roman Catholics
- Burials at Calvary Cemetery (Queens, New York)
- Columbia University faculty
- Converts to Roman Catholicism from Judaism
- American people of Italian descent
- Italian writers
- Venetian emigrants to the United States
- Naturalized citizens of the United States
- Italian opera librettists
- American opera librettists
- Wolfgang Amadeus Mozart's librettists
- Italian expatriates in Austria
- 18th-century Roman Catholic priests
- Italian Roman Catholic priests
This may be because his work is viewed as derivative. “He said, ‘I could spend a month naming eminent Italian writers and poets.’”
The twenty-eight-year-old Moore, a biblical scholar who later gained fame for the poem known as “The Night Before Christmas,” was impressed by Da Ponte and introduced him to his father, the Right Reverend Benjamin Moore 1768KC, 1789HON, who was the president of Columbia College.
ISBN 88-7050-438-7