Cristina flutur biography of albert

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And being in the meantime a wonderful friend.

Q: Jennifer Rainsford’s short film ‘When I Die The World Ends’ is also showing at festivals. As long as there is something in a certain project that speaks to me as a human being and I can love my character I am ready to explore it.

And this means I can move from arthouse to mainstream, from realistic to science-fiction, from period dramas to modern, from children stories to experimental and so on, if we were to speak of types of cinema.

And then in this context I placed Ioana, this double-identity woman, a Securitate agent, trained to have no feelings, with a traumatic past, stiff and somewhat frozen, who is woken up by love, but finds herself trapped the moment she wants to follow it.

I perceived Ioana as a brain-washed prisoner of this institution, convinced she works for the benefit of the country, till the moment she meets Andrei and love, a feeling she has never experienced before, makes a crack in this belief and she attempts to escape.

Though the category is less important. The ambitious genre feature received positive reviews and sold internationally. Before her are Maria Magdalena Dumitrache (1977), Rodica Dunca (1965), Adina Pintilie (1980), Corneliu Papură (1973), Camelia Potec (1982), and Otilia Bădescu (1970). Always calm and kind and giving all the freedom you need and the trust to just be brave and jump, knowing he is there with a sharp attention to every detail and a great intuition of the right measure.

cristina flutur biography of albert

After her are Mihai Fifor (1970), Gina Gogean (1978), Bogdan Aurescu (1973), Ioan Șnep (1966), Mihai Pintilii (1984), and Jaqueline Cristian (1998).

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So the film is a metaphorical poem about the moment of rupture between two people once in love.

Anna-Helen and Dvan could be anyone from any country in any time…She is like the prototype of the woman and he is the prototype of the man…and when they get further and further away from each other and the crack between them happens, the echo is cosmic, it reverberates into the whole universe.

It was really a very special project and working with Jen and Aris, as well as with the rest of the team, was truly a beautiful, hearted and enriching experience.

Q: In 2012, you had a breakout film performance in Cristian Mungiu’s ‘Beyond The Hills’.

She has also appeared in various stage productions and other films, showcasing her versatility as an actress.

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Among ACTORS

Among actors, Cristina Flutur ranks 11,682 out of 13,578.

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Her biography is available in 14 different languages on Wikipedia. After graduating, she played her first lead role in Au-delà des collines (2012) by Palme d'Or winner Cristian Mungiu. What interested you about this project and the chance to work closely with Jennifer and Aris Servetalis?

A: The script written by Jen was very different from all the scripts I had read before that moment.

I felt lucky to get such chance and I just jumped into this big ocean, counting on my years of theatre experience and on my intuition.

The script was incredibly well written and when I read it, I was instantly attracted to Alina, who was to be my character in the film. She graduated in Journalism and then studied Acting at the National University of Theatre and Film "I.L.Caragiale" (UNATC) in Bucharest, Romania.

Here she performed in many productions, both classical and modern, under the guidance of famous Romanian and foreign directors: Alexandru Dabija, Radu Alexandru Nica, Gavriil Pinte, Andrei Șerban, Vlad Massaci, Tompa Gabor, Silviu Purcărete, Rodica Radu, Alexander Hausvater, Adriana Popovici, Florin Zamfirescu, Andrij Zholdak, Robert Raponja.

During FITS, the Sibiu International Theatre Festival, she also played many roles in reading performances, recorded for the radio.

She performed at the Radu Stanca National Theatre in Sibiu till the summer of 2013, when she moved to Bucharest as a freelancer.

Theatre productions 2004-2013:

  • "Platonov" by A.P.Chekhov, directed by Al.

    Dabija, role: Alexandra Ivanovna;

  • "Time for Love, Time for Death" by Fritz Kater, directed by Radu Alexandru Nica, roles: a pupil, the teacher, the storyteller;
  • "Turandot" adapted from Carlo Gozzi, directed by Andrij Zholdak, role: Turandot;
  • "The Guide of a Regained Childhood", by Andrei Codrescu, directed by Gavriil Pinte, role: Dulcea;
  • "Metamorphosis" adapted from Publius Ovidius Naso, directed by Silviu Purcarete, performance based on improvisations;
  • "Love Factory" by Darko Lukic, directed by Robert Raponja, role: Marie Duplessis;
  • "Life with an Idiot" adapted from Victor Erofeev, directed by Andrij Zholdak, role: The Wife;
  • "Othello?!" adapted from William Shakespeare, directed by Andrij Zholdak, role: Desdemona;
  • "Today Is No Smoking Day" by Iustin Panta, directed by Gavriil Pinte, role: Iustina;
  • "The Seagull" by A.P.Chekhov, directed by Andrei Serban, role: Nina Zarechnaya;
  • "Plasticine" by Vasili Sigariev, directed by Vlad Massaci, role: Spira;
  • "Rhinoceros" by Eugene Ionesco, directed by Tompa Gabor, role: The Waitress;
  • "Pantagruel's Sister-in-Law" adapted from Rabelais, directed by Silviu Purcarete, performance based on improvisations;
  • "The Human Voice" by Jean Cocteau, directed by Rodica Radu, one-woman show;
  • "Derby – an improvisation championship" directed by Alexander Hausvater, performance based on improvisations;
  • "Sweet Thursday" adapted from John Steinbeck, directed by Adriana Popovici, role: Ida;
  • "The Clouds", by Aristophanes, directed by Florin Zamfirescu.
  • Radio drama for Radio Romania Cultural, 2016

  • "Three Sisters", by A.P.Chekhov, directed by Gavriil Pinte, role: Masha.
  • In 2011 Cristina Flutur was called for an audition for a part in the new feature by the Romanian Golden Palm winner, Cristian Mungiu.

    Some of the challenges theatre brings are different than those on set, but the two just beautifully help each other.

    Theatre helps improve your discipline and power of concentration and you also experience directly the energy of the audience; the response to what you are delivering is immediate, the dialogue is happening in the moment you perform and you need to be strong in this meeting with the audience, to be able to continue on your line, without making any compromises.

    Q: What type of projects interest and fulfill you as an actor?

    A: I try to stay open about the types of projects I would love to do, not to put limitations.

    What can you tell us about this story and your character?

    A: My character is Marina, mother of three children, not so happy in her marriage. After a few screen tests, she was offered one of the main roles, that of a troubled girl brought up in an orphanage, Alina Ringhis.

    Acclaimed both by the critics and by the audience for her impecable, most authentic, powerful and touching performance, she won the Best Actress Award at the Cannes Film Festival in 2012.

    One year later, in 2013, Cristina Flutur started her first project in a foreign language, playing in French the role of Cristina Boico, in the TV mini-series "Resistance".

    A woman who cannot go and free herself, but who cannot stay anymore either.

    Q: What can we expect from you in the future?