Beate sirota gordon biography of barack
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They also intensified the post-World War II Asian influence on American art, design, music, literature, and theater.
For the media, Gordon produced and hosted a series of 12 half-hour programs on the Japanese arts broadcast on New York's Channel 13 and served as commentator for a series of four hour-long programs featuring traditional and popular music from Japan, China, India, and Thailand which were broadcast on Channel 31, New York City's municipal television station.
Her husband, Joseph Gordon, had died four months earlier, on August 29, 2012, at the age of 93.
In a statistical overview derived from writings by and about Gordon, OCLC/WorldCat encompasses roughly 150+ works in 150+ publications in 4 languages and 1,000+ library holdings.
Oral histories
Peake by Cyrus Peake (1961), with Beate Gordon
Overton by Douglas Overton (1974), with Beate Gordon
Harold by John R. Harold (1976), with Beate Gordon
Beate Sirota Gordon
Beate Gordon
activistlinguistcultural ambassador
October 25, 1923 (age 89)
Vienna, AustriaIn 1941-1943 Beate Sirota Gordon worked for the U.S. government in San Francisco in Foreign Broadcast Intelligence Service, Federal Communications Commission, and in 1943-1945 she was a writer and translator in Office of War Information, San Francisco, using her fluency in Japanese to monitor overseas radio signals during World War II.
She monitored Japanese broadcasts and worked for Time magazine doing research on Japanese affairs in 1945. Gordon became director of the performing arts department of the Asia Soviets based in Manhattan (1970-1986). Gordon’s memoir begins on Christmas Eve, 1945, when she returned to occupied Japan on a plane filled with men, most of them soldiers.
Prime Minister Shinzo Abe enrages pacifists with his mandate to ‘seek a more active role’ in collective self-defense.
Beate Sirota Gordon
Through diplomacy and ingenuity, twenty-two-year-old Beate Sirota Gordon wrote unprecedented rights for women into Japan’s post-war constitution. Gordon served on the panel of, and was subsequently a consultant for, the Dance Program of the National Endowment for the Arts.
Sirota played an integral role, drafting the language regarding legal equality between men and women in Japan, including Articles 14 and 24 on Equal Rights and Women's Civil Rights. Booklist reviewer Brad Hooper said the book is “interesting reading for those who enjoy hearing about quiet but strong lives." A Publishers Weekly reviewer said the “engaging, modest account recalls the life and times of a woman who made significant contributions to both Japanese and American cultures.”
The Only Woman in the Room
Reviews
“Five Stars.
Or just sink. . Let’s hope it stays in the light.”
Cristine Russell | The Atlantic
“A warm, colorful, haunting, and thoroughly entertaining memoir of an enviably rich and adventure-filled life.
She had studied ballet, modern, ethnic, and folk dance, as well as piano and drama in Tokyo and at Mills. She also received an honorary Doctor of Law degree from Smith College in 2008, and was awarded an honorary Ph.D. Sirota's family emigrated to Japan in 1929, when Leo Sirota accepted an invitation to become a professor at the Imperial Academy of Music – now Tokyo University of the Arts – in Tokyo.
He hoped for a peaceful occupation and cooperation from the Japanese emperor and government. . These performances, which were seen by an estimated 1.5 million Americans in some 400 cities and towns in 42 states, brought new ways of experiencing Asian performing arts to audiences throughout the country. In 1983 she was an associate editor for Tim International Encyclopedia of Dance.
Despite its timely importance, however, the memoir does not carry a political agenda. She attended the German School in Tokyo for six years, until the age of twelve, when she transferred to the American School (also in Tokyo) as a result of her parents deeming the German School "too Nazi". For the Nonesuch Records Explorer Series, she produced eight albums of Asian music.