Renate dollinger biography of christopher columbus
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After maybe half an hour, she was suddenly remembering something: a street, the clop clop clop of hooves, houses with funny roofs … a stork sat on a chimney. “Your mother stopped you,” Dixie said, because the rabbi wouldn’t like it if she made drawings of people. Based upon sacred teachings and initiatory experiences that lie at the heart of this ancient heritage, Sacred Mysteries has been created to bring you insight into soul healing, alchemy, shamanism, the sacred arts, Tantra and the Divine Feminine, and much more.
She went on to give her details about that life. Renate had never seen any storks in California, but she painted the street with the men, the horses, the houses and the stork.
Every day for three years, the memories that came to her were so clear that it was as if she were remembering a picnic from the day before.
“Where did that come from?” “I don’t know,” she replied.
Here’s what Renate’s official brochure says: “The rich culture of the shtetl is evoked in Renate’s compelling paintings with their uncanny portrayals …While the scenes are born of the artist’s imagination, they possess a compelling sense of truth … as if they were part of Renate’s own personal experience.”
Here’s what Renate says:
One day in 1968 a woman named Dixie started spending time in Renate’s Palo Alto gallery, sitting in one or the other of two chairs, not saying much, just looking around.
This time: still no dirty laundry, but I confess I spent some time on Google seeking out “shtetl images.” I haven’t seen “Fiddler on the Roof ” in many years, but I think I’ll watch it tonight.
Exhibit info:
Seven paintings of European shtetl scenes created by Renate Dollinger are on display at Eugene’s Temple Beth Israel Gallery through Aug.
24. Our DVDs and books have been designed to acquaint you with an extraordinary spiritual, scientific and artistic heritage that has been handed down to us by our ancient ancestors and is our true birthright as human beings. “I don’t have any idea what that looks like! Sacred Mysteries DVDs explore not only the knowledge and foresight held by the men and women of these ancient traditions, but their relevance to the shifting times.
It’s more like ‘LIVE with Kelly and Michael’ although without the jokes and contests.” No dirty laundry, no hours of Internet research. And waited. Temple Beth Israel is located at 1175 E. 29th Ave., Eugene. Sacred Mysteries promises to open the doors to an expanded vision of reality and assist you in actualizing the enormous potential for growth, healing, transformation and illumination that exists in us all.
The angels met about it; their decision was to ask if you would be willing to paint the world of your Polish village when you’re in the middle of your next life. When you went over to the other side, Dixie went on, you complained to the angels that it wasn’t fair that you had to live in a time when people couldn’t draw.
The teachings they present offer remarkable perspectives on the intimate relationship between the metaphysical realms of vibration, light and energy as perceived by visionaries and mystics of traditional cultures and the concrete physical world we inhabit. Her interview and compelling story of holocaust survival, contact with an angelic being, past life experiences as well as her artistic inspiration from and interaction with the spiritual realms plays a major part in the story of Infinity; The Ultimate Trip.
Renate Dollinger's vibrant gouache (opaque watercolor) paintings tell stories of life in the Shtetls - the villages of Eastern Europe where Jews lived from the 1500s until World War II.
Renate Dollinger has an uncanny ability to portray the family and religious traditions, the bustling marketplaces and town squares, and the tender human interactions in the Shtetls as if they were part of her own personal experience and happened only yesterday.
“They will do it.” The next day, Renate put her art supplies on the dining room table and waited. After Renate closed the gallery – business was too slow – Dixie called her at home and Renate invited her over for tea. As a refugee, she attended Reiman School of Art and the London Polytechnic Institute. Though the scenes are born of the artist's imagination, they have a compelling sense of truth.