Vincent van gogh biography death
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Portrait of Dr Gachet (June 1890)
Auvers Town Hall (14 July 1890)
Bank of the Oise at Auvers (July 1890)
Haystacks under a Rainy Sky (July 1890)
Wheat Fields near Auvers (June 1890)
Tree Roots and Trunks (July 1890)
Thatched Cottages by a Hill (Unfinished, July 1890)
Landscape at Auvers in the Rain (July 1890)
The Church at Auvers-sur-Oise (June 1890)
Blossoming Acacia Branches (June 1890)
Marguerite Gachet at the Piano (June 1890)
Garden in Auvers (July 1890)
References
- ^Vincent van Gogh, "letter to Theo van Gogh, written c.
on the little hill above the fields that were ripe for harvest." Gachet, trying to suppress his tears, could only say a few words of praise, expressing his admiration for an "honest man and a great artist... Retrieved 17 October 2011.
- ^Gompert, Will (17 October 2011). Recent studies have notably highlighted a chemical reaction affecting cadmium yellow in some of his paintings.
Correspondence and Intellectual Legacy
Van Gogh’s Letters
Van Gogh’s correspondence, primarily with his brother Theo, constitutes an exceptional document on his creative process and artistic thought.
They said only that Van Gogh had “wounded himself”. The majority of this production was completed during the last ten years of his life (1880-1890), with particular intensity during the final four years. I still love art and life very much..."[19]
The first sign of new problems was revealed in a letter van Gogh wrote to Theo on 10 July.
The coffin was carried to the hearse at three o'clock. When he showed up, the family owning the inn was worried about his condition and asked if everything was fine. 768-71, 795-8
- ^Vincent van Gogh, "Letter to Theo van Gogh, written c. Two days later he died.
This account of Van Gogh’s suicide is based on the testimony of Adeline Ravoux, the daughter of the owner of the Ravoux Inn, who was 13 at the time.
During this period, he created his first significant works, including “The Potato Eaters” (1885), an emblematic painting of his Dutch period that demonstrates his interest in peasant life and the social conditions of the underprivileged.
Parisian Period (1886-1888)
In February 1886, Van Gogh joined his brother Theo in Paris.
Suffering from severe depression, he cut off part of his left ear with a razor while staying in Arles, France. ISBN
- Walther, Ingo (2000). They are vast stretches of corn under troubled skies, and I did not have to go out of my way very much in order to try to express sadness and extreme loneliness." But he adds, "I'm fairly sure that these canvases will tell you what I cannot say in words, that is, how healthy and invigorating I find the countryside."[21]
In a letter to his mother and sister written around 12 July, van Gogh again appears to be in a far more positive frame of mind: "I myself am quite absorbed in that immense plain with wheat fields up as far as the hills, boundless as the ocean, delicate yellow, delicate soft green, the delicate purple of a tilled and weeded piece of ground, with the regular speckle of the green of flowering potato plants, everything under a sky of delicate tones of blue, white, pink and violet.
I am trying to do as well as certain painters whom I have greatly loved and admired... And if my disease returns, you will forgive me. I am in a mood of almost too much calm, just the mood needed for painting this."[23]
Theo recognised that Vincent was experiencing problems. After unsuccessful attempts at theological studies, he became a lay preacher in the Belgian Borinage in 1878.
ISBN .
- Wouter Van Der Veen, Axel Rüger: Van Gogh in Auvers: His Last Days, Monacelli Press, 2010, 304 pages. According to her, Van Gogh was actually on the road that led to the Secrétan’s villa.
The art historian John Rewald traveled to Auvers in the 1930s and interviewed locals when the painter’s death was still remembered.
Some of them appear to reflect his increasing loneliness while many others, with their bright colours, convey a more positive attitude. I should plan for a period of between 5 and 10 years..."[1] Van Gogh authority Ronald de Leeuw interprets this as van Gogh "voic[ing] the presentiment that he had at most another ten years of life in which to realize his ideals."[2]
Deteriorating mental health
In 1889, van Gogh experienced a deterioration in his mental health.
One day everything seemed to be fine and he was sending optimistic letters to his family.