Vayalar rama varma biography of william hill
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Kaliyugam 1973 8. Kasavuthattam 1967 110. Vishnuvijayam 197424. Chakravarthini 1977 39. Naadan Pennu 1967 109. Chenda 1973 9. J. Yesudas, including claims of professional rivalry and personal slights during Ramavarma's lifetime, which Yesudas supporters deemed unsubstantiated and defamatory.[7]Alternative assessments of Ramavarma's oeuvre question the dominance of ideological commitment in his output, given his post-1964 alignment with the Communist Party of India and authorship of verses explicitly bolstering leftist causes, such as labor strikes and anti-caste themes.
Alibabayum 41 Kallanmarum 1975 33. First appearing in his early publications around the 1950s, it portrays creative genesis amid existential tension, diverging from heroic narratives to philosophical introspection.[21] Similarly, collections like Mulankaadu (1955) and Oru Judas Janikkunnu (1955) incorporate quasi-narrative arcs drawn from biblical or revolutionary motifs, framing personal and collective betrayals in a dramatic, epic-inflected style without extending to full-length form.[12]This selective engagement with epic elements aligned with Ramavarma's communist influences, repurposing grand scales for proletarian themes rather than mythological grandeur, as evidenced in verses critiquing feudalism and religion.
Ningalenne Communistakki 197049. Mayiladumkunnu 197279. Recently, his wife Bharathy Thamburatty wrote a book about Vayalar, Indradhanussin Theerathu, which became controversial. Adimakal 1969 121. Kavalam Chundan 1967 108. Aval 1967 106. These collections reflected his growing alignment with leftist thought, drawing from Marxist critiques of exploitation.
Vayalar Ramavarma
Early Life and Background
Family Origins and Upbringing
Vayalar Ramavarma was born in 1928 in Vayalar village, Alappuzha district, Kerala, to parents Vellarappalli Kerala Varma and Ambalika Thampuratti of Raghavaparambu Kovilakam.[4][5] The family traced its origins to aristocratic lineages in the region, characterized by connections to traditional Kerala nobility, as indicated by titles such as Varma and Thampuratti, which denoted status within Nair and royal-adjacent households.[2]Ramavarma lost his father before reaching the age of three, an event that occurred approximately fifteen years after his parents' marriage.[6] His subsequent upbringing fell primarily under the care of his mother, with his uncle overseeing early education in the traditional gurukula system before transitioning to formal schooling.[7] This environment, rooted in aristocratic customs yet exposed to the sociopolitical currents of pre-independence Kerala, fostered his initial inclinations toward literature and verse.[8]From childhood, Ramavarma exhibited precocious poetic talent, composing works that engaged with the era's social and political realities, diverging from his family's eliteheritage toward themes resonant with broader proletarian concerns.[6][8]Education and Formative Influences
Vayalar Ramavarma was born on 24 March 1928 at Raghavaparambu Kovilakam in Vayalar, a village near Cherthala in Alappuzha district, Kerala, to Vellarappalli Kerala Varma and Ambalika Thampuratti.[4] As the only child born after 15 years of his parents' marriage, he lost his father at around two years of age and was raised primarily by his mother under the family's matrilineal traditions, with guidance from his uncle Kerala Varma.[4] The kovilakam itself traced its heritage to an ancestor, Rama Varma, who had translated Valmiki's Ramayanam into Malayalam and constructed a Rama temple, embedding a legacy of literary and cultural engagement in the family environment.[4]His mother initiated his learning by teaching him the alphabet and basic writing skills at home.[4] At age five, Ramavarma entered a nearby lower primary school, where his headmaster, Mathai Sir, recognized his proficiency and advanced him directly to the second standard; he progressed further to the third standard following half-yearly examinations.[4] Economic constraints influenced educational choices, as his uncle favored traditional Sanskrit studies over English-medium schooling to evade monthly fees of 6.25 rupees, a decision that caused distress to his mother who valued broader learning.[4]Ramavarma pursued studies at the local Sanskrit School, gaining exposure to classical texts, alongside attendance at Cherthala English School for vernacular and modern instruction.[9][10] These institutions shaped his early bilingual foundation in traditional and contemporary knowledge, fostering an inclination toward poetry that emerged during his school years.[9] The rural Keralan backdrop of backwaters and agrarian life, combined with familial literary precedents, contributed to his formative worldview, priming him for progressive themes in later works without formal higher education.[4]Political Engagement
Shift Toward Communist Ideals
Ramavarma's political awakening occurred amid the socio-economic ferment in Travancore during the 1940s, particularly influenced by the Punnapra-Vayalar uprising of October 1946—a communist-organized peasant revolt against diwan C.P. Ramaswami Iyer's authoritarian policies and feudal land relations in his home district of Alappuzha. His famous works include Sargasangeetham, Mulankaadu, Padamudrakal, Aayisha, Oru Judas janikkunnu. Bhoomidevi Pushpiniyayi 1974 25. Koottukudumbam 1969 126. Atithi 1975 31. Kaathirunna Nikkah 1965 96.
Kottaram Vilkkanundu 197532.