Nota 13 paganini biography

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Taught the violin by his father as a child and tutored by the best teachers, Paganini was considered a prodigy. Franz Liszt, Robert Schumann, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.

Paganini and the evolution of violin technique

An 1831 bulletin advertising a performance of Paganini.

The Israeli violinist Ivry Gitlis once referred to Paganini as a phenomenon rather than a development.

http://books.google.com/books?q=2859+Paganini+1978+RW1.

^IMDB. 2, No. 2 in C major

Op. He was renowned for his use of harmonics and the left hand pizzicato in his performance. His early encounters with Charles Philippe Lafont and Ludwig Spohr created intense rivalry. His frequent concert schedule, as well as his extravagant lifestyle, eventually took their toll on his health.

Works

The orchestral parts of Paganini's works are polite, unadventurous in scoring, and supportive.

IMDb.com. The story recounts rumors that (a) the strings of Paganini's violin were made from human intestines and (b) Paganini murdered both his wife and mistress and imprisoned their souls in his violin.

In the film The Hunt for Red October, the character "Jonesey", SONAR operator on the USS Dallas, is a fan of Paganini and somehow plays a piece of the composers music over the submarine's SONAR system.

3, No. 3 in D major

Op. 3, No. 5 in A major

Op. Whilst it was questionable whether Paganini pioneered many of these "violinistic" techniques that made him famous, it was certain that he was the one popularized them and brought them into regular compositions. On Christmas of 1838, he left Paris for Marseilles and, after a brief stay, traveled to Nice where he fell ill once more.

2, No. 1 in A major

Op.

In Paris in 1833, he commissioned a viola concerto from Hector Berlioz, who produced Harold in Italy for him, but Paganini never played it. He made a fortune as a touring musician, and was uncanny in his ability to charm an audience. 10 in G minor

No. Techniques requiring agility of the fingers and the bow were still considered unorthodox and discouraged by the established community of violinists.

Much of Paganini's playing (and his violin composition) was influenced by two violinists, Pietro Locatelli (1693–1746) and August Duranowski (1770–1834).