Ramkinkar baij biography of abraham lincoln
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A Calcutta publisher, Monfakira has an English book on ramkinkar, 'self-portrait', translated from Bengali by Sudipto Chakraborty of Ranchi.[4] This book is very useful for people who read English.[citation needed]
References
1. ^ Exhibition of works of Ramkinkar Baij The Hindu, Oct 05, 2007.
2.
He is regarded as the father of modernism in art in India.[1]
Santhal Family
Early life
Baij was born in an economically modest Santhal tribal family in the Bankura district of the modern state of West Bengal in India.[2]
While in his mid-teens Ramkinkar used to paint portraits of Indian freedom fighters involved in the Non-Cooperation Movement against the British rulers of India.
The same year, he makes The Poet, a study in cement of Rabindranath Tagore’s head that stands out for its startling distortion. An ailing Tagore appears frail and brooding, without arms, his back bent.
1944
A student organises a joint exhibition of his works along with those of Benode Behari Mukherjee at New Delhi.
1945
He is invited by the Government of Nepal to make sculptures.
1946-47
Makes a sculpture portrait of Abanindranath Tagore based on three sittings of fifteen minutes each.
1948
Visits Shillong, and paints several atmospheric watercolours of its mountainous landscape.
His paintings too take on expressionist dimensions like his sculptures, which are filled with force and vitality.
Statue of Rabindranath Tagore by Ramkinkar Baij at Amar Kutir near Shantiniketan
Some of his sculptures are preserved and displayed at locations including Kala Bhavan, Santiniketan, Late Rani Chanda Collection & Academy of Fine Arts, Calcutta, H.K.
Kejriwal Collection & Karnataka Chitrakala Parishat, Bangalore, Lalit Kala Akademi, New Delhi, National Gallery of Modern Art, New Delhi, Reserve Bank of India, New Delhi, Jane and Kito de Boer, Dubai, and the Delhi Art Gallery in New Delhi.
Legacy
A portrait bust in bronze by a student of Ramkinkar at Santiniketan, the sculptor K.
S. Radhakrishnan, is found in the entrance of the Museum of Modern Art in Bhopal, India.
There is a book called "Dekhi Nai Fire" (meaning Haven't looked back.., Ananda Publication) based on Baij's life and work, written by another contemporary literary genius, Samaresh Basu after about ten years of extensive research. The litterateur and editor Ramananda Chatterjee with his keen sense of judgement spotted him and entrusted him to Nandalal Bose in 1925.
His oil paintings have all the vitality with which he invested his sculpture. He learnt the techniques of modelling on his own and took charge of the sculpture section with brilliant success.
Ramkinkar was a fearless critic of art and quite early in life made daring innovations to storm the citadel of convention-ridden artists.
^ www.monfakira.com
Retrieved from "http://en.wikipedia.org/ ", Text is available under the Creative Commons Attribution-ShareAlike License
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Ramkinkar Baij
1906
Born on 25 May at Bankura to an economically weak family.
He was equally ruthless in dealing with western naturalists who preferred the safe path of popularity in verisimilitude.
It is significant that his first abstract sculpture 'Lamp stand', done in 1940, is the earliest example of this century in that medium. Makes a small sculpture of Mahatma Gandhi, now in the collection of the National Gallery of Modern Art, New Delhi.
He despised art that slandered or profaned human values. However, many of his artistic creations have been inspired by the lifestyles of rural dalit or Adivasi (Santhal) communities living in and around his place of work Santiniketan.
While in his mid-teens Ramkinkar used to paint portraits of Indian freedom fighters involved in the Non-Cooperation Movement against the British rulers of India.
Is conferred an honorary doctoral degree, Desikottama, by Visva-Bharati.
1979
Receives an honorary D. Litt from Rabindra Bharati University, Calcutta.
1980
Dies in Calcutta following a brief illness.
2012
A posthumous retrospective of Baij’s work is held at the National Gallery of Modern Art, New Delhi, curated by his one-time student at Santiniketan, the sculptor, K.
S. Radhakrishnan.
Ramkinkar Baij (1906-80)
Born in humble surroundings in Bankura in 1906, Ramkinkar Baij showed his skill as an illustrator and artist even in his early teens.
Makes a relief sculpture of Saraswati for the hostel at Modern School. At age of 16 he got noticed by the renowned journalist Ramananda Chatterjee. Eminent painters like Beohar Rammanohar Sinha and Jahar Dasgupta, both students of Shantiniketan were his disciple.
Ramkinkar Baij (Bengali: রামকিন্কর বেজ) (May 20, 1906 - August 2, 1980) is an Indian sculptor, known as the Pioneer of Modern Indian Sculpture.
Modern Western art and pre and post-classical Indian art were his main point of reference. Though 1906 is the generally accepted year of his birth, alternate dates vary from 1904 to 1910.
1925
Takes admission at Kala Bhavana on the advice of Ramananda Chatterjee, a friend of Rabindranath Tagore, and publisher of Bengali periodicals, Prabasi and The Modern Review.
1928
Viennese sculptor Liza von Pott takes sculpture classes at Kala Bhavana with Baij and Sudhir Khastgir as students.
1929
Completes his course at Kala Bhavana.
1932-33
He teaches art briefly at Modern School, New Delhi.
His family surname was Poramanik and was abandoned by him in the early 1925. His two large compositions in cement on the simple lives of the Santals are great contributions to the heritage of Indian sculpture.
Ramkinkar was no less active in the field of painting.