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The novels were loved by Disney's daughters when they were children, and Disney spent 20 years trying to purchase the film rights to Mary Poppins, which included visits to Travers at her home in London.[35] In 1961, Travers arrived in Los Angeles on a flight from London, her first-class ticket having been paid for by Disney, and finally agreed to sell the rights, in no small part because she was financially in dire straits.[36] Travers was an adviser in the production, but she disapproved of the Poppins character in its Disney version; with harsher aspects diluted, she felt ambivalent about the music and she so hated the use of animation that she ruled out any further adaptations of the series.[37] She received no invitation to the film's star-studded première until she "embarrassed a Disney executive into extending one".
History vs Hollywood. She became a prefect and sought to have a successful career as an actress.[15] Goff's first employment was at the Australian Gas Light Company as a cashier.[17] In 1920 Goff appeared in her first pantomime. Oxford University Press. Around the same time she was taught by Carl Gustav Jung in Switzerland.[17] In 1931, she moved with her friend Madge Burnand from their rented flat in London to a thatched cottage in Sussex.[4] There, in the winter of 1933, she began to write Mary Poppins.[4] During the 1930s, Travers reviewed drama for The New English Weekly and published the book Moscow Excursion (1934).
L. Travers, The Art of Fiction".
Times (London, England), April 24, 1996. She was told to not make a career out of journalism and turned to poetry. Before her are Emma Morano, Charles Laughton, Corneliu Zelea Codreanu, Jean Moulin, James Cagney, and Lucio Fontana. A film based on Disney's efforts to persuade Travers to sell him the Mary Poppins film rights was released in 2013, Saving Mr.
Banks, in which Travers is portrayed by Emma Thompson. Corry" chapter from Mary Poppins)
Goff also wrote poetry, which her family paid little attention to. Travers wrote more than forty essays for the journal. She served as a consulting editor as well. Many of her essays, interviews, and poems are collected in a book titled What the Bee Knows: Reflections on Myth, Symbol, and Story (the bee being understood as a symbol of eternal life), published in 1989. The book is a feast of her writings in this area, setting forth her ideas in lively, often captivating prose as she delves deep into various topics. One reviewer on amazon.com, highly enthusiastic, nevertheless cautioned, “Each chapter is fortunately short – they are so rich it’s like a box of chocolate truffles – eat one and it’s heaven – eat more and it's too much.”
Travers’s essay for the first issue of Parabola is “The World of the Hero.” She sets the tone by asserting, “We go to the myths not so much for what they mean as for our own meaning. Who am I? Why am I here? How can I live in accordance with reality?” The hero in myths and tales, she writes, is seeking his/her own identity; and in life, each of us is the hero of our own myth. Recalling her concept of the “Crack” between the first and last strokes of midnight on New Years Eve when “eternal opposites meet and kiss,” she goes on: “I have to set out to find the homeland of myth, that homeland so well described in ‘Rumpelstiltzkin’ where it is called ‘the country where the fox and the hare say goodnight to each other’…where the opposites are reconciled, the place where one goes beyond them….I wonder where we can find it, where in ourselves we can look for it?”
In her essay “The Primary World”, Travers recalls her childhood as a place of lore and legend that her parents encouraged. Religious writings as well as “stories, ballads, and old wives tales” handed down to her felt close; “Heaven was merely a celestial suburb.” Daily life tended to imitate them: “The smallest event, in that huge landscape, became, of necessity, an occasion. To take a trip to the nearest town…was to ride in triumph to Persepolis [an ancient Persian city]; the loss of a milk tooth no less an omen than the dropping of Cinderella’s slipper.” This idea that we live out myths in the events of our lives reverberates through many of her essays.
NASA. Encyclopedia of World Biography.
Online: https://www.notablebiographies.com/supp/Supplement-Sp-Z/Travers-P-L.html (last downloaded 2019-02-26)
Edmund, Aiyana. Archived from the original on 12 January 2022.