Piet mondrian biography composition 10

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These colors seem to jump from the canvas, like neon lights. Before taking it apart, Holtzman traced the wall compositions. She bought one of his diamond paintings. He wanted it to express his ideas of Neoplasticism. It influenced abstract painting and other art movements. The 1912 version reduces objects to simple shapes like circles, triangles, and rectangles.

Parisian Adventures (1911–1914)

In 1911, Mondrian moved to Paris.

The black lines are the flattest. The colors are not perfectly flat. It is loosely dated at around 1939-1942, with some disagreements over which specific year it was produced in but it was certainly from that approximate period.

This artwork immediately strikes you as being classic Mondrian. In the first drawings, in charcoal, sometimes heightened with India ink or tempera, the pier is still clearly recognizable.

He did this even when he moved to London in 1938 and 1940, and then to Manhattan.

In 1943, at age 71, Mondrian moved into his last studio in Manhattan. The exhibit, Mondrian and his Studios, included a life-size copy of his Paris studio. He would take the idea just as far as it could go and this showed his passion for this approach which was entirely of his making, though with some ideas coming in from all manner of different sources.

All are outlined by black lines.

Artworks and Historical Ownership

Sometimes, the history of an artwork can be complicated. In 1908, he became interested in Theosophy. He would be classed as a Post-Impressionist painter for many years before slowly transitioning deeper and deeper into the world of abstract art.

His father was a drawing teacher. Balance was key for Mondrian and he had to get all of the different elements in the right place for Mondrian to get quite the final result that he desired.

He would, of course, create many similar artworks to this across his career, with other examples of this approach including the likes of Trafalgar Square, Sans Titre, Rhytmus and Composition in White Black and Red.

Again and again, he would bring new colours in, rotate others out, experiment with more or less detail and even at some points rotating the canvas to create a diagonal shape. But they were still based on nature.

Mondrian's art was also connected to his spiritual beliefs. It had a black floor and white walls with movable red, yellow, and blue panels.

Mondrian said it was the best space he had ever lived in.

This was his first big effort to explain his art ideas.