2013 artist raphael biography

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His architectural designs were renowned for their classical elegance and balance, reflecting the late Renaissance's shift towards Baroque influences. Each gesture is met with a reciprocal gesture, guiding our gaze to the central beauty of Galatea's face, which the artist professed came directly from his imagination rather than a model.

This is said to have incensed Michelangelo who would later accuse Raphael of plagiarism, spreading rumors that Raphael had stolen into the Sistine Chapel to have a sneak preview of Michelangelo's work. The story goes that Polyphemus, the Cyclops and son of Poseidon, loved Galatea, and when he caught her and her beloved Acis in embrace, he killed him in a jealous rage.

The painting shows a seated half-length nude looking out at the viewer in an undone dress, concealing the lower part of her body.

Net Worth and Earning: Salary

Raphael, one of the leading figures of the Italian High Renaissance, created a profound impact not only through his artwork but also through his innovative architectural designs.

Raphael’s body was interred at the Pantheon in Rome, Italy.

Following his death, Raphael's movement toward Mannerism influenced painting styles in Italy’s advancing Baroque period. It was one of two paintings commissioned by Cardinal Guilio de' Medici, who later became Pope Clement VII, for Narbonne Cathedral in France. When he was only 17 years old, his profound talent as a painter coupled with the completion of his apprenticeship gained him recognition as a true master.

The themes of love and marriage chosen by Raphael for the Villa has led to speculation that the two might have been secretly married.

Late Period

In 1517, Pope Leo X appointed Raphael commissioner of antiquities in Rome, a role of overseeing the restoration of antiquities. After architect Donato Bramante died in 1514, the pope hired Raphael as his chief architect.

The painting continues Raphael's incorporation of Renaissance elements with his own style in this devotional work. He was also appointed as Knight of the Papal Order of the Golden Spur for his contribution to the glory of the Catholic Church.

He also worked on a large number of architectural projects, which included the Palazzo di Jacobo da Brescia, a magnificent palace for Pope Leo's doctor.

The scholar leaning over Pythagoras is said to be that of the Arab philosopher Averroes who is credited with bringing the philosophies of Plato and Aristotle to the West. The most famous commission he received from Chigi was for the fresco of Galatea in his Villa Farnesina in Rome, designed by the architect Baldassarre Peruzzi.

Raphael also received his first architectural commission from Agostino Chigi, which was the design of the Chigi Chapel in the church of Santa Maria del Popolo in 1513.

During this period, he was lauded with honors including the prestigious title Groom of the Chamber, a high office at the Papal Court. His success in this role quickly surpassed his father’s; Raphael was soon considered one of the finest painters in town. Raphael then took over the daunting task of managing his father’s workshop.

In 1514, Pope Julius II hired Raphael as his chief architect.