Philip evergood biography
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In the late 1930s, as managing supervisor of the New York WPA easel project, he fought aggressively to keep artists on the payroll when budget cuts forced layoffs. In 1909, after a vacation in England with his mother and her family, the Blashkis agreed to accept the Perrys’ offer to finance a proper English education for the boy.
In 1952, Evergood moved to Connecticut where he lived until his death two decades later in his Bridgewater home.
Works by Philip Evergood are included in many important museum collections, including the Brooklyn Museum of Art, Museum of Modern Art, Metropolitan Museum of Art and Whitney Museum of American Art in New York; the Smithsonian Museums in Washington, D.C.; the Columbus Museum of Art in Ohio; the Tate Gallery in London; and the Vatican Museum in Vatican City, Italy.
Evergood’s relationship with his father had been stormy, the meeting of two volatile personalities. In 1931, he had a small one-man show at the Balzac Galleries in New York. While Evergood never gave up his political concerns, his later work incorporated some of the techniques of surrealism. The Sloans and the Evergoods became close friends when Dolly Sloan and Julia Evergood both worked in the early 1930s for the Gallery of American Indian Art.
In 1936 Evergood won a commission from the mural section of the Works Progress Association (WPA) to paint a mural for the U.S.
Post Office in Richmond Hill, Queens, New York.
Philip Evergood attributed his deep-seated rebelliousness and his bottomless sympathy for the downtrodden to the legacy of his parents. His enduring appeal was celebrated with a retrospective exhibition from the Whitney Museum of American Art in 1960. but to paint them in their beauty and in their crudity and in their fluidity.” (Taylor, Philip Evergood: Never Separate from the Heart, 1987)
PHILLIP EVERGOOD
Philip Evergood was a leading Socialist Realist painter active in New York City.
Evergood was a full member of the Art Students League of New York and the National Institute of Arts and Letters and served as President of the New York Artists Union. In 1924, he went back in Europe, this time to Paris where he enrolled briefly at the Académie Julian and then studied with André Lhote. In 1926, Evergood learned that his mother was seriously ill in New York.
He took odd jobs and hired on with the Works Progress Administration, earning a small salary that allowed him to support his family. The only food they had was from garbage cans, the only fire they had was from sticks they picked up around the wharves.
I went over to the fire and talked to them. Evergood was a member of the American Artists' Congress and president of the Artists' Union.
Terrapin was another. . He also dabbled in engraving under the tutelage of Stanley Hayter, and studied works by El Greco and Goya in Spain.
Upon his return to the United States in 1931, Evergood pursued an active career of teaching and exhibiting paintings. . He began his formal education in 1907 at the progressive Ethical Culture School on Central Park West.
In Paris, he spent time in the studio of André Lhote, and became a student of Jean-Paul Laurens at the Académie Julian. Though he had been traveling on a British passport, he contacted the U.S. State Department and arranged to claim his birthright American citizenship.
In 1937, Evergood was elected a member of the National Society of Mural Painters. Snow was on the ground, a fire was lit, and a group of Negroes and white men were huddled around the fire.