Neve a louveciennes di alfred sisley biography
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p. The Impressionists made this subject their own and it was often the principal motive in their researches. p. It captures a picturesque scene of a tranquil early morning winter in Louveciennes, a small village is located in the western suburbs of Paris.
The artist paints the sky in white, crisp blue, and grey hues. 17.
Gli impressionisti e la neve: La Francia e l'Europa, exh.
He was especially drawn to snow scenes since he could study the variations in light by using a different range of shades.
Museo di Santa Giulia, Brescia 2006, no. Sisley's works are mostly distinguishable through his use of soft harmonious values.
Sisley was particularly interested in the countryside during the sad and desolate winter season. 92.
Alfred Sisley. p. It is even considered as one of his truly masterful works through his poetic rendering of snow.
He especially found inspiration in the silence and mystery of the winter landscapes. Sisley was born to English parents in France. 58, p. Hôtel de Caumont, Aix-en-Provence 2017, p. It was not until his death that his art would become widely recognized and appreciated.
Snow at Louveciennes (1878)
HOW TO UNDERSTAND
A PARTICULAR PAINTING
See: How to Appreciate Art.
Background
Aside from Claude Monet (1840-1926), who devoted his whole life to mastering the capture of momentary impressions of light and colour, and Camille Pissarro (1830-1903), whose affinity for nature went hand in hand with his respect for the working man, Alfred Sisley was the only artist to remain devoted to Impressionist landscape paintingen plein air.
cat. It was not Corot who set the example, for he did not care for winter scenes; it was Gustave Courbet, who had fallen in love with this season of the year, and painted many aspects of it in his native Jura, buried in winter beneath a thick coating of snow. cat. cat. 1874: Revolution in der Kunst. 207.
Sisley: L’impressionniste, exh.
Then he painted La Debacle (1880, Dunedin Public Art Gallery, New Zealand). Casa dei Carraresi, Treviso 2000, no.