Liam gillick exhibitions in china

Maureen Paley

London E2 6GQ

Liam Gillick, McNamara Setting, 1994, old clothing, fake snow, flashlights, papers, cigarettes, airport security tray, 20 x 53 x 38 cm - 7 7/8 x 20 7/8 x 15 in, plinth: 15 x 80 x 80 cm - 5 7/8 x 31 1/2 x 31 1/2 in.

Credit: Courtesy Maureen Paley, London. The film was made at various random moments over two weeks, yet the various shots are cut together to create the illusion of logical time despite it being the result of a fractured production process.

Liam Gillick (b. The book Industry and Intelligence: Contemporary Art Since 1820 was published by Columbia University Press in March 2016.

Gillick’s work has been included in numerous important exhibitions including documenta and the Venice, Berlin, Shanghai and Istanbul Biennales – representing Germany in 2009 in Venice.

A Centenary, BOZAR, Brussel
2022   Indexing the Nature: From Near and Far Away, No.9 Cork Street, London, UK

2021   Art Basel 2021 - Unlimited, Messe Basel, Switzerland

2021   Catastrophe and Recovery, MMCA Seoul, Seoul, Korea

2020   A Little After The Millennium, Gallery Baton, Seoul, Korea
2020   Liam Gillick and Philippe Parreno, Space Time Substitution, De Pont Museum, Tilburg,

Netherlands

2020   De-Sport:The Deconstruction and Reconstruction of Sports through Art, 21^st Century

Museum of Contemporary Art, Kanazawa, Japan
2020   Entree des Artistes Air de Paris, Paris, France
2020   Pas de deux, Part1, Knust Kunz Gallery Editions, Munich, Germany
2020   Utopia in Crisis, Bauhaus-Universität Weimar, Weimar, Germany

2019   Gelitin and Liam Gillick, Stinking Down, Kunsthalle Wien, Vienna, Ausria
2019   Gigantisme, Art et Industrie, Frac Grand Large, Hauts-De-France/LAAC Musée de

France, Dunkerque, France

2019   Fly Me to the Moon: The Moon Landing 50 Years On, Kunsthaus Zurich, Zurich,

Switzerland
2019   After Minimalism, Valletta Contemporary, Malta, Malta
2019   Bau [Spiel] Haus, Neues Museum, Nürnberg, Germany
2019   Now is the Time 25 Years Collection, Kunstmuseum Wolfsburg, Wolfsburg, Germany
2019   Matera 2019 Open Futures, I-Dea Project, Matera, Italy

2018   Soziale Fassaden, MMK–Museum für Moderne Kunst, Frankfurt, Germany
2018   Liam Gillick and Adam Pendleton, Eva Presenhuber, New York, US
2018   Trix & Robert Haussmann, The Log-O-Rithmic Slide Rule: A Retrospective, KW Institute

for Contemporary Art, Berlin, Germany

2017   Schreibtischuhr, Galerie Meyer Kainer, Vienna, Austria
2017   Like a Moth to a Flame, Officine Grandi Riparazioni / Fondazione Sandretto Re

Rebaudengo, Turin, Italy

2017   Flatland/Abstractions Narratives #2, MUDAM– Musée d’Art Moderne Grand-Duc Jean,

Luxembourg, Luxembourg
2017   How to Live Together, Kunsthalle Wien, Vienna, Austria
2017   99 Cents, MOCAD–Museum of Contemporary Art Detroit, Detroit, US
2017   Mentally Yellow(High Noon), Kunstmuseum Bonn, Bonn and Städtische Galerie I'm

Lenbachhaus, Munich, Germany

2017   Seeds of Time, Shanghai Project: Chapter 2, Shanghai Himalayas Museum, Shanghai,

 China
2017  Colori, L’emozione dei COLORI nell’arte, Castello di Rivoli Museo d’Arte Contemporanea

and GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy
2017   The Interior and The Carpet, VAROLA at Pacific Design Center, Los Angeles, US
2017   John Latham – A World View, Serpentine Gallery, London, UK
2017   Night in the Museum: Ryan Gander curates the Arts Council Collection, Attenborough

Centre, Leicester, UK

2017   Du verbe à la communication, Carré d’Art, Nîmes, France

2016   Where Text is Broken by a Building, Arario Museum, Seoul, Korea
2016   L’esprit du Bauhaus, Musée des Arts décoratifs, Paris, France
2016   Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum, New York, US
2016   Shanghai Project, Shanghai Himalayas Museum, Shanghai, China
2016   The Collector’s Eye: Nine Private Collections in Strasbourg, Musée d’art modern et

Contemporain de Strasbourg, Strasbourg, France
2016   The World Preserves The Memory of All Past Traces, Centro de Arte Alcobendas,

Madrid, Spain
2016   Accumulations: 5.000 Years of Objects, Fictions, and Conversations, Mead Art Museum,

Amherst, US
2016   Wall to Wall: Carpets by Artists, Museum of Contemporary Art Cleveland, Cleveland,

US
2016   Development, Okayama Art Summit, Okayama, Japan
2016   Moving Image Department: Chapter 6: Inner Lives (of Time), National Gallery in Prague,

Prague, Czech
2016   The Natural Order of Things, Fundacíon Jumex, Mexico City, Mexico
2016   140 K, Kunstraum Ortloff, Leipzig, Germany
2016   Re-Reading the Collection, CGAC–Centro Gallego de Arte Contemporáneo, Santiago

 de Compostela, Spain
2016   If All Relationships Were to Reach Equilibrium, Then This Building Would Dissolve,

Middlesbrough Institute of Modern Art, Middlesbrough, UK
2016   Fünfzig Zigarren für das Licht der Zukunft, Kunst im Schloss Untergröningen,

Abtsgmünd, Spain
2016   Night in the Museum: Ryan Gander Curates the Arts Council Collection, Longside

Gallery, Yorkshire Sculpture Park, West Bretton; Gas Hall, Birmingham Museum & Art

Galleries, Birmingham , UK

2016   Moving Image Department: Chapter 5, National Gallery in Prague, Prague, Czech

2016   Parc de Sculptures Contemporaines, Domaine du Muy, Le Muy, France
2016   The Peacock, Grazer Kunstverein, Graz, Austria
2016   Moving Image Department: Chapter 4, The Rhetoric of Time, Revisited, National

Gallery in Prague, Prague, Czech

2016    Béton, Kunsthalle Wien, Vienna, Austria
2016   A History, Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich,

Germany

2015   All-Imitate-Act, As Aart of Holland Festival, Stedelijk Museum, Amsterdam 14th

Istanbul Biennial, Istanbul, TR Pop Art Design, EMMA, Espoo Museum of Modern Art, Esbo, Türkiye

2015   Collecting Line II - Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland

2014   Blue Times, Kunsthalle Wien, Vienna, Austria
2014   Leben mit Kunst - Teil 2, 50 Jahre Sammlung Siegfried und Jutta Weishaupt Kunsthalle Weishaupt, Ulm, Germany

2014   Une histoire.

Every culture interprets the universe differently and builds from those interpretations their identifying philosophies. Photo: Stephen James

Liam Gillick, The Sleepwalker, 2021, 4K video, 16 minutes 30 seconds, looped. Credit: Courtesy Maureen Paley, London. - A Kitchen Cat Speaks, German Pavillion, the 53th Venice Biennale, Venice, Italy

2008     Three Perspectives and a Short Scenario, Kunstverein München, München, Germany

2008     Three Perspectives and a Short Scenario, Witte de With, Rotterdam, France
2008     Three Perspectives and a Short Scenario, Kunsthalle Zürich, Zürich, Switzerland

2008     Fractional Factories in the Snow, Air de Paris, Paris, France

2007     The Commune Itself Becomes A Super State, Corvi-Mora, London, UK

2007     Weekendin So Show, The Lab at Belmar, Lakewood, US
2007     Monument to Charles Fourier, Musée de Beaux-Arts, Besançon, France

2006     Briannnnn & Ferryyyyy(with Philippe Parreno), Kunsthalle Zürich, Zürich, Switzerland

2006     We Are Medi(eval)(with Angela Bulloch), Cubitt Artists, London, UK

2005     Briannnnn & Ferryyyyy(with Philippe Parreno), Vamiali’s, Athens, Greece
2005     Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid, Spain

2005     McNamara Motel, CAC Centro de Arte Contemporáneo, Malága, Spain
2005     Fabriken im Schnee..., Galerie Meyer Kainer, Vienna, Austria
2005     Presentism, Corvi-Mora, London, UK
2005     Another 2004 Again, Baltimore Museum of Art, Baltimore, US
2005     M/M (Paris), Frankfurter Kunstverein, Frankfurt, Germany
2005     Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris, France

2005     The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich, Vienna

2004     Övningskörning(Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee, US

2004     Construccion de Uno, Galeria Javier Lopez, Madrid, Spain
2004     A Group of People, Air de Paris, Paris, Franc
2004     Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen, US

2004     Underground(Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp, Belgium

2004     (Rider): Law & Creativity(with Philippe Parreno), Lunds Konsthall, Lund, Sweden

2003     Hills and trays and..., Schipper & Krome, Berlin, Germany
2003     ...Punctuated Everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin, Germany
2003     Por Favor Gracias de Nada(with Gabriel Kuri), Kurimanzutto, México City, Mexico
2003     Exterior Days, Casey Kaplan, New York, US
2003     Liam Gillick: Communes, Bars and Greenrooms, The Power Plant, Toronto, Canada
2003     Projects 79.

The Sleepwalker (2021) is a film made during two weeks of isolation in a traditional Korean house, featuring a series of rooms surrounding a walled courtyard, in the Bukchon Hanok Village, Seoul. The exhibition features five artworks from the 1990s and 2000s and a recent film from 2021 shot in Korea. The soundtrack is four early recordings of Bellini’s opera “La Sonnambula” where the protagonist reveals the truth of her feelings while sleepwalking.

Photo: Stephen James

EDUCATION

1987     BA (Hons), Goldsmiths College, University of London, London, UK

1984     College of Art, University of Hertfordshire, Hertfordshire, UK

SOLO EXHIBITIONS

2025   The Sleepwalkers, Maureen Paley, London, UK

2024   Fact Structures, Amount Structures, Language Structures, Casey Kaplan, New York, US

2024   Fact Structures, Amount Structures, Language Structures, Esther Schipper, Berlin, DE

2024   Fact Structures Amount Structures Language Structures, KIN, Brussels, BE

2023     The Alterants, Gallery Baton, Seoul, Korea

2023     Mountains?