Katherine porter artist biography

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I go to every concert I can.

CG Do you know about music?

KP I know a lot about music. He organized the major exhibition African American Artists and . At Northeastern University Dana founded African American Artists in Residence Program. It was all a matter of timing and luck.

Porter grew up in rural Iowa and moved to Colorado in the late 1950s, where she studied at Colorado from 1959 to 1961. (The McKee gallery closed in 2015.) I loved being in and had great friends many of whom I met in , Neil Welliver, Rackstraw Downes, we were all good friends.

CG Were you involved with Skowhegan School of Art?

KP I taught there and did lectures.

She moved to for a couple of years during which time I recorded this conversation in a restaurant.

We kept in touch by e mail and she sent comments on my articles. .

CharlesGiuliano: When did you arrive in ?

Katherine Porter In 1967 on the eve of separation from my husband.

She expresses her ideas with a visual vocabulary that is “geometric and gestural, abstract and figurative, decorative and raw, lyric and muscular’. Her work is in the collections of The Metropolitan Museum of Art, MoMA, The Museum of Fine Arts in Houston, Whitney in New York, Museum of Fine Arts in Boston, and the Tel Aviv Museum in Jerusalem.

Porter is considered one of the most important contemporary artists associated with Maine, where she passed away in April 2024.

Please find below the selections that are available for purchase through the John Raimondi Gallery.

Katherine Porter (Katherine Louanne Pavlis) is an American artist, born in Cedar Rapids, Iowa in 1941.

I had one at South Carolina Museum of Art in 2008. It was also very hard. I was connected a little bit but not professionally. I talked a lot with Michael Phillips. He is best known for his paintings of the English countryside.)

It’s romanticism and you have to look at the paintings. The people that I met in the South End, (black artists) Dana Chandler,Jr., Gary Rickson, Roy Cato, Jr, and the kid, Winston C.

Robinson.

CG Didn’t Winston show with you during Open Studios?

(Winston was much loved and played occasionally with the punk band The Rentals fronted by Jeff and Jane Hudson.

As an artist what did you feel about being in that environment?

KP It wasn’t just the MFA. That was a small part of it. I have no feelings of being excluded in any way. Did you get any assistance?

KP No, my family didn’t believe in that which was so helpful because I learned to be independent.

I went to for treatment (Lupus).

During the social unrest of the late 1960s, Katherine Porter was a force in an emerging generation of artists. It got hard when it got to decision making.

CG I had just started writing a column Art Bag for Boston After Dark/ . I loved the school and learned a lot there about perspective and anatomy.

CG Lets talk about the Studio Coalition which you were part of.