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The family settled at North Adams, Massachusetts. Mowbray did not work exclusively in a Renaissance style. 326; Owens, Gwendolyn, “H. 176; Walton, William, “The Recent Mural Decorations of H. Siddons Mowbray,” Harper’s Magazine 122 (April 1911): 724-735; Jackman, Rilla, Evelyn, American Arts. Other works include murals in the Appellate Courthouse and the University Club library in New York; the homes of C.P.
Huntington and Larz Anderson; and the Howard M. Metzenbaum U.S. Courthouse in Cleveland, Ohio. p. 948.
Wilson & Fiske 1900.
MLM staff 2006.
Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. This last was executed in Rome, where, in 1903, he was made director of the American Academy.[2] Other works include murals in the Appellate Courthouse and the University Club library in New York; the homes of C.P.
Huntington and Larz Anderson; and the Howard M. Metzenbaum U.S. Courthouse in Cleveland, Ohio.[2] He taught at the Art Students League of New York circa 1901.[3] He was a member of the U.S. Commission of Fine Arts from 1921 to 1928.[5]
See also
Léon Bonnat
Notes
H. 17) claimed Mowbray was “inclined to savage criticism” as a teacher but he “taught drawing in a very precise, proficient manner.”
Both Thomas B.
Clarke and William T. Evans purchased Mowbray’s easel pictures. Soon, he was receiving criticism from Jean-Léon Gérôme, who influenced him to paint Near Eastern scenes. Charles F. McKim, architect of the University, proposed copies of the Renaissance frescoes, to be installed by Mowbray. But it convinced J. Pierpont Morgan to engage Mowbray to decorate his famous library, also in an Italianate manner.
389-399; Warshawsky, Abel, The Memories of an American Impressionist [1931]. Siddons Mowbray: Easel Painter,” Art and Antiques 3 (July-August 1980): 82-89; Hirschl and Adler Galleries, The Arts of the American Renaissance.
Henry Siddons Mowbray
Harry Siddons Mowbray was an American artist.
He served as director of the American Academy in Rome from 1902–1904.
Mowbray was born of English parents at Alexandria, Egypt. n.p., 1928; Cortissoz, Royal, The Painter’s Craft.
Cambridge University Press. The Alchemist (Kenneth Lux Gallery, New York), dated 1884, shows an interest in Dutch revival genre scenes, perhaps prompted by French Salon painters such as Jehan-Georges Vibert (1840-1902) who enjoyed painting cardinals sipping brandy, in a polished Flemish technique.
Mowbray returned to the States in 1885 and joined the Society of American Artists.
56). Siddons Mowbray
Artist
born Alexandria, Egypt 1858-died Washington, CT 1928
- Also known as
- Harry Siddons Mowbray
- Henry Siddons Mowbray
- Born
- Alexandria, Egypt
- Died
- Washington, Connecticut, United States
- Biography
Born in Egypt, brought to the United States in 1859, lived here and abroad.
The love of Pintoricchio brought Mowbray back to Rome again in 1902, when he was able to study the Vatican decorations intensely. By around 1897 Mowbray turned to mural painting. 139-140; Sherwood, H. F. H. Siddons Mowbray, Mural Painter.