Gerda bengtsson biography
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She found inspiration in old samplers and other sources, but most of her work and the greatest part of her fame involved her interpretations of the Danish flora. She exhibited again in 1932. She started drawing at an early age, creating pencil portraits of family members. Broderies Aux Point De Croix. She died on December 13, 1995, which means that if I had had my act together, I could have met this remarkable painter and designer.
Gerda’s designs and books are still exceedingly popular across Europe, in Russia, in Japan, and in the U.S. Just look her up on Pinterest and see how many thousands of pins there are on boards all over the world.
This led to a proposal to interpret her designs in cotton thread on a natural canvas. Ved Triennalen i Milano 1951 modtog hun en guldmedalje. Størst nytte havde Gerda Bengtsson af Astrid Holms undervisning i gobelinvævning, det udviklede i særlig grad hendes sans for garn- og farvesammensætning. This led to the commissioning of some cross-stitch designs, the first being a rabbit leaping among flowers in the tapestry style.
State Flowers in Counted Cross-Stitch
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A genealogy page for her lists parents and siblings but no spouse or children, so perhaps she remained single. A good number of these featured Gerda’s beautiful plants. She studied painting, and in her final year sculpture as well.
februar 1900 på Frederiksberg
Død onsdag den 13. These Dansk Blomstergarn (Danish Flower Threads) (worth a post of their own) are still available today, as are many of Gerda’s designs.
Gerda’s simple, colorful, modern designs were perfectly suited to the tastes of post-War decorators and crafters.
She created at least a thousand designs for the Guild alone.
I have not been able to find out anything about Gerda’s personal life, so I don’t know if she ever married or had children. Det førte til et samarbejde, der varede i 70 år. Gerda (2010) Broché
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Da Selskabet til Haandarbejdets Fremme åbnede en forretning, udstillede de nogle af Gerda Bengtssons arbejder.She never stitched a single one. They were all worked up by others in the Guild.
I can only hope that putting the final brush-stroke on a painting or charting the last perfect petal gave her the same pleasure that putting the final leg on that last cross stitch of one of her designs has given all of her fans.
Sources:
http://passionevera.blogspot.com/2009/05/gerda-bengtsson-ln30-4155.html
http://www.kvinfo.dk/side/597/bio/40/origin/170/
Gerda Bengtsson’s Book of Danish Stitchery, 1972, Van Nostrand Reinhold
https://en.wikipedia.org/wiki/Gerda_Bengtsson
https://www.myheritage.dk/person-1002450_181693142_181693142/gerda-johanne-bengtsson-tegner#!events
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Gerda Johanne Bengtsson
Dansk tegner og væverske Født tirsdag den 6. In 1930, Gerda worked with Einar Hansen to create a thread and a palette especially suited for Gerda’s floral designs. december 1995 på Frederiksberg |
| Mini-biografi: Begge forældre var lærere og tegnetalentet blev arvet fra moderen, der selv var en glimrende tegner. Tilbage i København åbnede Bengtsson sin egen vævestue med speciale i blomstrede gulvtæpper, det gav ikke de store indtægter for de var dyre at fremstille.
She had a gift for translating the essence and beauty of plants into charted designs that anyone could work. Throughout her career, the Guild published many of her designs in book or booklet form. Queen Alexandrina created the Danish Handcraft Guild (Haandarbejdets Fremme or HF) in 1928, with the goal of preserving the traditions and techniques that were in danger of becoming lost. In 1929, the Guild held an exhibition and some of Gerda’s watercolors from the Cluny museum were featured. |