Felice varini biography meaning
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“My concern,” he says, “is what happens outside the vantage point of view.”
He currently resides in Paris.
Interview with Poetic Mind, 2008
see www.poeticmind.co.uk/interviews-1/i-am-a-painter
For a complete listing of Varini's work, visit his website:
www.Varini.org
a film by David Teboul
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Varini argues that his works exist both as complete shapes and as fragments and has described his concern as being about what happens outside the vantage point of view.and currently lives in Paris.
He paints directly onto architectural and urban spaces, such as buildings, walls and streets.
Born in Locarno, Switzerland, in 1952. His work establishes a permanent dialogue between the site of its creation and its perception. According to the artist, “The painted form is coherent when the spectator stands in a given place.
The paintings are characterized by a single vantage point from which the viewer can see the complete painting (usually a simple geometric shape such as circle, square, line), while various ‘broken’ fragmented shapes are seen from various other viewpoints. Lives and works in Paris, France.
Celebrated as one of the pioneers in the study of geometry and colour, Felice Varini is known for perspective-localised spatial paintings created on architectural and urban spaces – such as streets, building and public monuments – across the world.
Since the 1970s, Varini has worked with themes of representation and the viewer’s perception.
When the individual shifts from that point of view, the work enters the space, which gives rise to an infinite number of perspectives of the form. Through a heightened awareness of space Varini invites viewers to explore the relationship between his works, themselves and their surroundings.
Varini has presented works in major museums and public spaces internationally including; Christie’s Headquarters, Paris, France (2024); Zaha Hadid’s DDP building in Seoul, South Korea (2024); the Carcassone Castle, France (2018); the Grand Palais in Paris, France (2013); Cardiff Bay Barrage, Wales (2007); the Osaka Art Kaleidoscope, Osaka, Japan (2007); Chateau of Versailles, France (2006).
(Swiss, 1952– )
Felice Varini was born in 1952 in Locarno, Switzerland.
Since the 1970s, Varini has created work that establishes a permanent dialogue between the site of the work’s creation and its perception.
Varini’s paintings are characterized by one vantage point from which the viewer can see the coherent shape (usually a simple geometric form such as circle, square or line), while from other viewpoints the viewer will see just fragments of the shape, offering a multitude of possible perspectives and interpretations.
Varini contends that the work exists as a whole: the complete shape as well as the fragments. Playing with both simple geometric forms and colors, the artist’s work inhabits and coexists with the space it is set in, to give his paintings a spectacular tridimensional effect.
Varini has presented works in major museums and public spaces around the globe, such as Zaha Hadid’s DDP building in Seoul, South Korea (2024), the Carcassone Castle, France (2018), the Grand Palais in Paris, France (2013), Cardiff Bay Barrage, Wales (2007), the Osaka Art Kaleidoscope, Osaka, Japan (2007), Chateau of Versailles, France (2006), among many others.
Felice Varini
Felice Varini, born in 1952 in Lorcano, Switzerland, is a pioneering artist in the study of geometry and colour, known for perspective-localised spatial paintings created in architectural and urban spaces internationally, such as in streets and across buildings and public monuments.
While I establish a special relationship with architectural characteristics that influence the form of the installation, my work nonetheless retains its independence irrespective of the architectures I encounter. I start with a real situation to construct my painting.”
Varini’s artworks, often composed of simple geometric shapes, are intended to be seen both as fragments and as a whole as the comprehension of his works can be altered according to the viewers’ point of view.