Erin lee carr biography of mahatma

If someone else is making a film on a subject, don’t try and crowd the field. Premiering October 15, it quickly climbed to the #1 position on Hulu in the U.S. and reached #1 globally on Disney+, with sustained Top 10 performance across more than fifty countries.

Apply to festivals, and when you are there watch as many movies as you can. Don’t spend years working on something only to have it fall apart. Where do you start? Pick strong key images.

Along with compelling subjects, what are topics/subjects that have rich archival to help you tell the story?

Have a couple things going to keep you and your work safe. Do not be hard to deal with on deal terms (this is my advice and perhaps not feedback that the rest of the industry would agree with). Wrap gifts after you finish the thing! Has a doc been made on this already? Erin directed Episode 105 of the series, solidifying her reputation as a filmmaker capable of delivering both prestige storytelling and major audience engagement.

With more than ten films and series to her name, Erin is also known for her powerful, often hard-hitting documentary work.

Access, distro, financing can fall apart at any moment.

Too many voices on one subject doesn’t signal boost, they drown each other out.

Dev 2-6 things at the same time. It ignited a passionate discussion on Twitter and was well received by critics and audiences alike. On that same note, don’t sit on a good idea, because someone else will make it first.

Access. You should be as self-sufficient as possible.

If you are trying to make your first doc the way to get in the door is to obtain access to something you have exclusively. Execs, production companies and studios are there to support, produce, and distribute the art.