El retrato de adolfo best maugard biography
Home / General Biography Information / El retrato de adolfo best maugard biography
Best Maugard’s studies with anthropologist Franz Boas in 1911 at the School of American Anthropology and Ethnology had informed his belief that these seven forms represented a Mexican aesthetic, derived from his analysis of over two thousand pieces of pottery.
His approach sought to reveal the universality of pre-Hispanic art and its potential to inspire a distinctly Mexican modernism.
No. 5341, 1 de agosto de 1920.
Segunda parte.)
.
His drawing method inspired a generation of artists, as seen in the works of Montenegro included in this Module.Author: Best Maugard, Adolfo
Title: Metodo de Dibujo : Tradición resurgimiento Y evolución del arte mexicano.
Date: 1923
Location: Mexico, Departmento editorial de la Secretaría de educación
Adolfo Best Maugard (1891-1964) was a pivotal figure in shaping modern Mexican art.
En 1918 experimentó durante muchos meses tomando como sujetos a varios centenares de alumnos de las escuelas públicas (en particular, las muchachas de la Escuela Industrial La Corregidora de Querétaro). This method, detailed in his 1923 publication Drawing Method: Tradition, Resurgence, and Evolution of Mexican Art, was adopted in schools and profoundly influenced artists such as Roberto Montenegro.
Rooted in Theosophical ideas, Best Maugard’s drawing method centered around seven geometric motifs: the straight line, zigzag, wavy line, half-circle, circle, spiral, and 'S' motif.
As head of the National Department of Artistic Education, a role assigned to him by José Vasconcelos, Best Maugard developed a drawing method that merged Theosophy, art theory and the spiritual and cultural heritage of pre-Hispanic Mexico.
Maugard combinó la intuición con el modernismo para implantar un método racional de dibujo en la educación primaria.
He linked these figures to a Theosophical concept of the septenary, which posits that the universe and humanity are structured according to a sevenfold design. Although his theories faced criticism from figures like David Alfaro Siqueiros or Jean Charlot, Best Maugard’s emphasis on integrating Theosophy and indigenous motifs played a transformative role in the Mexican muralist movement.
The wheel seems to rotate around Maugard's gloved hand; below the sweep of his coat follows the movement of a train rendered in a series of static planes. Although his theories faced criticism from figures like David Alfaro Siqueiros or Jean Charlot, Best Maugard’s emphasis on integrating Theosophy and indigenous motifs played a transformative role in the Mexican muralist movement.
He linked these figures to a Theosophical concept of the septenary, which posits that the universe and humanity are structured according to a sevenfold design. Dicho proyecto consistió en sacar a los estudiantes fuera de las aulas para que pintaran al aire libre y fomentar un arte de intención naturalista y revelador de los valores nacionales.
His drawing method inspired a generation of artists, as seen in the works of Montenegro included in this Module.
Artist: Best Maugard, Adolfo
Title: Metodo de Dibujo : Tradición resurgimiento Y evolución del arte mexicano (Drawing Method: Tradition, resurgence and evolution of Mexican art).
Date: 1923
Location: Mexico: Departmento editorial de la Secretaría de educación
Adolfo Best Maugard (1891-1964) was a pivotal figure in shaping modern Mexican art.
(...)” (Ibid). He linked these figures to a Theosophical concept of the septenary, which posits that the universe and humanity are structured according to a sevenfold design. As head of the National Department of Artistic Education, a role assigned to him by José Vasconcelos, Best Maugard developed a drawing method that merged Theosophy, art theory and the spiritual and cultural heritage of pre-Hispanic Mexico.
Date: 1923
Location: Mexico, Departmento editorial de la Secretaría de educación
Adolfo Best Maugard (1891-1964) was a pivotal figure in shaping modern Mexican art. Best Maugard’s studies with anthropologist Franz Boas in 1911 at the School of American Anthropology and Ethnology had informed his belief that these seven forms represented a Mexican aesthetic, derived from his analysis of over two thousand pieces of pottery.
His approach sought to reveal the universality of pre-Hispanic art and its potential to inspire a distinctly Mexican modernism.
He linked these figures to a Theosophical concept of the septenary, which posits that the universe and humanity are structured according to a sevenfold design. As head of the National Department of Artistic Education, a role assigned to him by José Vasconcelos, Best Maugard developed a drawing method that merged Theosophy, art theory and the spiritual and cultural heritage of pre-Hispanic Mexico.
Escribió libros en los que situaba a la educación de las artes en una base nacionalista.
Date: 1923
Location: Mexico, Departmento editorial de la Secretaría de educación
Adolfo Best Maugard (1891-1964) was a pivotal figure in shaping modern Mexican art.
This left-bank district was rapidly becoming the axis of a cultural vanguard from around the world.