Eksistensialisme menurut albert camus biography
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Camus percaya bahwa kebebasan dan tanggung jawab merupakan hal mendasar dalam membangun makna di tengah absurditas, dan ia menganjurkan gagasan untuk hidup autentik dan berkomitmen pada pengejaran kebahagiaan, bahkan dalam menghadapi kesulitan dan kontradiksi hidup. As a result, he was denounced as a Trotskyite, and eventually he quit the party.
If readers did not see this as an issue in 1947, it became contentious as the political climate changed, and the novel was attacked by Roland Barthes and later by Sartre (Aronson 2004, 228–9). Clamence is clearly evil, guilty of standing by as a young woman commits suicide. He himself said no, in a famous interview with Jeanine Delpech in Les Nouvelles Littéraires in November of 1945, insisting that he did “not believe sufficiently in reason to believe in a system” (Camus 1965, 1427).
Yet these experiences are presented as the solution to a philosophical problem, namely finding the meaning of life in the face of death. Tidak adanya makna hidup
Pada gilirannya, komponen kunci lain dari teori eksistensialis Albert Camus adalah prinsip bahwa hidup sungguh tidak memiliki makna.
Camus was also very involved in the political turmoil of his day, writing as a journalist for the Resistance movement in France during World War II and speaking out for human rights during the reign of Josef Stalin throughout the 1950s. Camus. How can the individual’s experience of absurdity, and the rebellion against it, stem from, produce, imply, or entail the wider social sense of injustice and solidarity?
After the rock comes tumbling down, confirming the ultimate futility of his project, Sisyphus trudges after it once again. All other questions follow from that” (MS, 3). Since “the most obvious absurdity” (MS, 59) is death, Camus urges us to “die unreconciled and not of one’s own free will” (MS, 55).
Ia menganjurkan gagasan bahwa kita harus merangkul kebebasan dan tanggung jawab untuk menciptakan nilai dan makna kita sendiri.
Dalam karyanya yang paling terkenal, "The Stranger", Camus menggambarkan seorang tokoh yang hidup di pinggiran masyarakat, tanpa menyadari konvensi dan norma sosial. He has lived his existence from one moment to the next and without much awareness, but at his trial and while awaiting execution he becomes like Sisyphus, fully conscious of himself and his terrible fate.
The first is Friedrich Nietzsche’s proclamation that “God is dead”; the second is the pronouncement made by one of Fyodor Dostoevsky’s characters in The Possessed: “if God is dead, everything is permissible.” With an intellectual and moral integrity not often found among thinkers, Camus wrestled profoundly with the problem of how to find meaning and value in a godless universe.
Worse, because it teaches us to look away from life toward something to come afterwards, such religious hope kills a part of us, for example, the realistic attitude we need to confront the vicissitudes of life.
Quotations by Camus
- “I write on different planes to avoid mixing different forms. He further claims that modern secularism stumbles into a nihilistic state of mind because it does not really free itself from religion.
In “Neither Victims nor Executioners” he declared himself a socialist but not a Marxist.