Dorothy parker brief biography of william
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Parker became known for her short humorous poems, many of which focused on her numerous and unsuccessful love affairs. On August 18, 2020, Parker's urn was exhumed.[95] "Two executives from the N.A.A.C.P. With an introduction by W. Somerset Maugham,The Portable Dorothy Parker (1944) compiled over two dozen of her short stories, along with selected poems from Enough Rope, Sunset Gun, and Death and Taxes.
She moved to Vanity Fair as a staff writer after two years at Vogue.
In 1917, she met a Wall Street stockbroker, Edwin Pond Parker II (1893–1933)[17] and they married before he left to serve in World War I with the U.S. Army 4th Division.[18]
Algonquin Round Table years
Parker's career took off in 1918 while she was writing theater criticism for Vanity Fair, filling in for the vacationing P.
G. Wodehouse. She reported in 1937 on the Loyalist cause in Spain for the Communist magazine New Masses. Starting as a theater critic, she became a deputy for P. G. Wodehouse in 1918. Based in New York, she was known for her caustic wisecracks, and eye for 20th-century urban foibles. They divorced in 1947 but remarried in 1950.
Her response to the whimsy of A. A. Milne's The House at Pooh Corner was "Tonstant Weader fwowed up."[41] Her reviews appeared semi-regularly from 1927 to 1933, and were deemed "immensely popular".[43] They were posthumously published in 1970 in a collection titled Constant Reader, and then anthologized again in 2024.[44][45]
Throughout much of the 1920s, she was separated from her husband Edwin Parker; they eventually divorced in 1928.[46] She had a number of affairs, her lovers including reporter-turned-playwright Charles MacArthur and the publisher Seward Collins.
At the magazine, she met Robert Benchley, who became a close friend, and Robert E. Sherwood.[20] The trio lunched at the Algonquin Hotel almost daily.
It's congealed snow, melts in your hand, and there you are. Please.
Parker also tried her hand at writing for the stage. After a bench trial, the court held that the plaintiff’s selection of all of the poems lacked creativity and was therefore not copyrightable, ruling in favor of Penguin.[109]
Adaptations
In 1982, Anni-Frid Lyngstad recorded "Threnody", set to music by Per Gessle, for her third solo album Something's Going On, after she offered him a book of poems by Dorothy Parker.[110]
In the 2010s some of her poems from the early 20th century have been set to music by the composer Marcus Paus as the operatic song cycle Hate Songs for Mezzo-Soprano and Orchestra (2014);[111][112] Paus's Hate Songs was described by musicologist Ralph P.
Locke as "one of the most engaging works" in recent years; "the cycle expresses Parker's favorite theme: how awful human beings are, especially the male of the species".[113][114]
With the authorization of the NAACP,[115] lyrics taken from her book of poetry Not So Deep as a Well were used in 2014 by Canadian singer Myriam Gendron to create a folk album of the same title.[116] Also in 2014, Chicago jazz bassist/singer/composer Katie Ernst issued her album Little Words, consisting of her authorized settings of seven of Parker's poems.[117][118]
In 2021 her book Men I'm Not Married To was adapted as an opera of the same name by composer Lisa DeSpain and librettist Rachel J.
Peters. She organized Project Rescue Ship to transport Loyalist veterans to Mexico, headed Spanish Children's Relief, and lent her name to many other left-wing causes and organizations.[67] Her former Round Table friends saw less and less of her, and her relationship with Robert Benchley became particularly strained (although they would reconcile).
In the 1920s alone, she published over 300 poems in several prominent national publications. Growing up on Manhattan’s Upper West Side, her childhood was an unhappy one. Over the years, she contributed poetry, fiction, and book reviews as the “Constant Reader.”
Parker’s first collection of poetry, Enough Rope (Boni & Liveright), was published in 1926 and was a bestseller.
October 28, 1988.[92]
In early 2020, the NAACP moved its headquarters to downtown Baltimore and how this might affect Parker's ashes became the topic of much speculation, especially after the NAACP formally announced it would later move to Washington, D.C.[93]
The NAACP restated that Parker's ashes would ultimately be where her family wished.[94] "It’s important to us that we do this right," said the NAACP.[93]
Relatives called for the ashes to be moved to the family's plot in Woodlawn Cemetery, in the Bronx, where a place had been reserved for Parker by her father.
For her epitaph she suggested, 'Excuse my dust'. During her time at the magazine, Dorothy met and became friends with Robert Benchley and Robert Sherwood.
Parker died on June 7, 1967, at age 73, of a heart attack.[4] At the time of her death, she was still residing at the Volney building.[87] In her will, she bequeathed her estate to Martin Luther King Jr., and upon King's death, to the NAACP.[88]
Burial
Following her cremation, Parker's ashes were unclaimed for several years.
Despite her father being Jewish and her stepmother being Protestant, Dorothy attended a Roman Catholic school.
In 1903, Dorothy's stepmother passed away, and in 1913, at the age of 20, she lost her father. Meanwhile, she worked on her first poems.