Chris jordan kpmg biography for kids
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His website receives over 75,000 individual visitors per month, and through the viral popularity of his work he has been invited to appear on television shows such as Bill Moyers Journal, The Colbert Report and the Rachel Ray Show. Since then, Jordan has had solo exhibitions at the Portland Art Museum, Oregon (2009) and the Austin Museum of Art, Texas (2010), among others.
We see the stomach contents of a dead camel, comprised of over 500 plastic bags, along with plastic, glass and metal debris. Jordan is best known for his large photographs depicting the consumerism, waste, and decay of American society. Jordan transformed these billowing piles into seductive abstractions, whose beauty is at odds with the reality that discarded items consume resources in the recycling process and propel a stream of residual waste into landfills, wastewater plants and the atmosphere.
Two million bottles were depicted in a larger-than-human-scale digital photograph entitled Plastic Bottles, 2007, literally representing the number of plastic beverage bottles used in the United States every five minutes. Perhaps more significant, though, is his exposure via the Internet. The artist was raised in Connecticut before attending law school and working as a corporate lawyer for ten years, later resigning to pursue his photography full time.
In a body of work entitled “Intolerable Beauty: Portraits of American Mass Consumption,” Jordan visited landfills and recycling centers to photograph vast piles of discarded products such as cell phones, chargers, circuit boards, crushed cars, glass bottles and other consumer goods.
In a related body of work entitled “Running the Numbers,” Jordan translates consumption and waste statistics into composited images that visually connect the data to its environmental impact.
Chris Jordan
Chris Jordan’s combined passions for conservation, activism, and photography have made him one of the “it” artists of the green movement.
But as the human population approaches eight billion, the amplification of every small act of consumption translates into the rapid and pervasive degradation of the natural world. Jordan masterfully stitched together hundreds or thousands of photographs using digital technology to create each seamless composition.
We see the carcass of a baby albatross, its gut filled with plastic caps, lighters and other lethal plastic objects. Up close, however, it became clear that these images were enormous composites of thousands of individual objects. Because it found me.” His first several collections of works, Intolerable Beauty: Portraits of American Mass Consumption (2003-2006) and In Katrina’s Wake: Portraits of Loss from an Unnatural Disaster (2005) were met with critical acclaim and exhibited in galleries and museums internationally, including the Lannan Foundation Gallery, Santa Fe, in 2006.
Several books of Jordan’s photographs have been published, including Running the Numbers: An American Self-Portrait, In Katrina’s Wake: Portraits of Loss from an Unnatural Disaster andIntolerable Beauty: Portraits of American Mass Consumption.
Since then, he has exhibited in museums and galleries in at least 20 states and eight countries. With a master's degree in information management, an MA, and a bachelor's degree in Computer Science, he is dedicated to nurturing an exceptional team of cyber professionals and contributing to a more cyber-resilient working world through innovation and expertise.
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With his powerful images of mass consumption, Chris Jordan issues a clear directive to mankind: it is time to sweat the small stuff.
In regards to the politically charged statements behind his photographs, Jordan comments that in the beginning, “All I was interested in about photography was aesthetic beauty…places where color appears inadvertently…It’s something that I truly cannot take credit for, finding my way to consumerism as my subject.