Antonio de pereda biography of william shakespeare
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His biography is available in 16 different languages on Wikipedia (up from 15 in 2024). William of Aquitaine), 1672, Real Academia de Bellas Artes de San Fernando.
References
- http://www.artcyclopedia.com/artists/pereda_antonio_de.html Antonio de Pereda Online
- http://www.lindamann.com/otherpainters/pereda.htm Linda Mann Art Gallery-Antonio de Pereda
- http://www.wga.hu/frames-e.html?/bio/p/pereda/biograph.html Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100-1850)
- Web site: Pereda y Salgado, Antonio de.
After him are Vicente Juan Masip (1505), Francisco Bayeu y Subías (1734), Niccolò Antonio Colantonio (1420), Josep Maria Subirachs (1927), Joaquín Sabina (1949), and Antonio Saura (1930).
Spanish born Painters
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Antonio de Pereda was born in Valladolid in 1611 but soon left for Madrid to train in the studio of Pedro de las Cuevas, among whose other pupils were some of the most important Madrid painters such as Francisco Camilo, José Leonardo, Juan Carreño and Juan Montero de Rojas.
This splendid Vanitas in the Uffizi is dated to a later period in the artist’s career, when his paintings were enhanced with countless details, objects and figures, at a time close to that of The Knight's Dream, one of his best-known works (1670 ca, Real Academia de Bellas Artes de San Fernando).
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Antonio de Pereda
PAINTER
1611 - 1678
Antonio de Pereda
Antonio de Pereda y Salgado (c.
This still life by Antonio de Pereda, a Spanish painter and expert in this genre, presents all of the symbols alluding to the theme: skulls, fading flowers that are past their bloom, playing cards, luxury items and weaponry. After him are Vicente Juan Masip, Lorenzo Lippi, Vladimir Borovikovsky, Aelbrecht Bouts, Jeff Wall, and Giovanni Fattori.
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Contemporaries
Among people born in 1611, Antonio de Pereda ranks 15.
Among people deceased in 1678, Antonio de Pereda ranks 12. Real Academia de BBAA de San. Academia Colecciones. This was painted for the Salón de Reinos of the Buen Retiro Palace in Madrid as part of the same series as Velázquez's Surrender of Breda.[3] After Crescenzi's death in 1635, Pereda was expelled from the court and began to take commissions from religious institutions.[2]
Works
- The Relief of Genoa (El Socorro a Génova), 1634
- Agila, 1635, painted for the collection of series of Gothic kings at the Palacio del Buen Retiro, Museo del Prado.
- Desengaño de la vida, around 1634
- Immaculate (Immaculada), several paintings now at several museums including the Prado (1636 painting), the Museo de Ponce, Puerto Rico (1654 painting), Hospital de la Venerable Orden Tercera in Madrid (1657 painting), Lyon, Budapest, etc.
- Annunciation, 1637, Prado
- Los desposorios de la Virgen con San José, 1640
- San Jerónimo penitente and San Pedro liberado por el ángel, 1643, Prado.
- Profesión de la infanta Margarita con San Agustín y la Virgen en gloria, 1650, Convento de la Encarnación, Madrid.
- Curación de Tobías, Barnard Castle, Bowes Museum, 1652.
- San José (Saint Joseph), Madrid, Royal Palace, 1654.
- El Salvador, 1655, now at the Capilla del Cristo and at San Ginés church, Madrid.
- Santo Domingo en Soriano (St.
Fernando. Before him are François Pierre La Varenne, Erasmus Quellinus the Younger, Louis VI, Landgrave of Hesse-Darmstadt, Karel Dujardin, Catherine Charlotte de Gramont, and Antoine III de Gramont. The premature death of the Marquis de la Torre in 1635 and the animosity that the Count-Duke of Olivares had always felt for him meant that he was excluded from court patronage from this point onwards, as a result of which he focused on religious painting and still lifes.
es. The success of such works earned Pereda enormous fame and recognition and allowed him to live a comfortable lifestyle until his death in 1678.
Antonio de Pereda explained
| Antonio de Pereda | |
| Birth Date: | March 1611 |
| Birth Place: | Valladolid, Spain |
| Death Date: | January 30, |
| Death Place: | Madrid, Spain |
| Birth Name: | Antonio de Pereda y Salgado |
| Occupation: | Painter |
| Nationality: | Spanish |
Antonio de Pereda y Salgado (– January 30, 1678) was a Spanish Baroque-era painter,[1] best known for his still lifes.
Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family.
Dominic in Soriano), 1655, Museo Cerralbo.
Even the vast empire ruled by the great Charles V – whose portrait hangs above the model of the globe - is destined to vanish in time, while the holy kingdom and its eternal justice will triumph definitively, as revealed in the large painting of the Last Judgement, unveiled by a drape in the background. During the 1640s and 1650s he received numerous commissions for large altarpieces in Toledo and Madrid.
Before him are Bojan Krkić (1990), Miguel Ángel Nadal (1966), Francisco Bru (1885), Josep Maria Jujol (1879), Ibn 'Abd al-Barr (978), and María Blanchard (1881). Pereda’s exceptional gifts as a painter soon earned him the protection of leading figures at court such as Giovanni Battista Crescenzi, Marquis de la Torre, who had an important collection of paintings that allowed him to become familiar with the naturalist style of Caravaggio and his followers.
Antonio de Pereda is the 1,101st most popular painter (down from 854th in 2024), the 962nd most popular biography from Spain (down from 765th in 2019) and the 35th most popular Spanish Painter.
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Among PAINTERS
Among painters, Antonio de Pereda ranks 1,101 out of 2,023.
Pereda’s style also reveals the influence of Jusepe de Ribera’s tenebrism, combined with a northern interest in detail. Francis of Assisi and the Porziuncola), 1664, Museo de Valladolid.