Yesubai biography of michael
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Shahu's rule stabilized the fragmented confederacy, devolving executive powers to capable sardars and Peshwas, which facilitated territorial expansion from the Deccan to northern India by the 1730s.[4]Upon her return to Satara in 1719, Yesubai advised Shahu on reconciling rival claimants like Tarabai's faction, contributing to the empire's shift from centralized monarchy to a federated structure under PeshwaBalaji Vishwanath, appointed in 1713.
Sterling Publishers Pvt. Ltd. 978-81-207-1015-3. She was Second Officially Coronated Queen of Swarajya.She was also the mother of Chatrapati Shahu I. en.
Rashmika Mandanna praises Chhaava co-star Vicky Kaushal, says he was ‘warm and kind, except for the last day’; the Sam Bahadur actor reacts . Chatrapati Sambhaji Maharaj gave Yesubai ranisaheb her own seal (rajmudra) "Shri Sakhee Radnyee Jayati" so that she can make political decisions independently. 'धर्मरक्षक महावीर छत्रपती संभाजी महाराज' मध्ये अमृता खानविलकर साकारणार महाराणी येसूबाई; लूक होतोय व्हायरल .
The Mughals kept Maharani Yesubai captive to ensure that Chatrapati Shahuraje adhered to the terms of his release.
Sardesai's reliance on archival Peshwa Daftar documents underscores her marginalization in power struggles after 1719, attributing Maratha revival more to military contingencies than her personal symbolism. This evolution, rooted in her lineage's legitimacy, transformed the Marathas from guerrilla resisters into a pan-Indian power, extracting chauth and sardeshmukhi tributes that funded campaigns weakening Mughal authority post-1712.
These vernacular chronicles, composed in the 18th and 19th centuries by Maratha scribes, often amplify her role to symbolize Hindu resilience against Mughal domination, including unsubstantiated legends of her rejecting Aurangzeb's alleged advances to preserve dynastic honor. She proposed recognizing Shahu—originally named Shivaji—as the nominal king without a formal coronation ceremony, while appointing his uncle Rajaram as regent to lead the resistance against the Mughals, thereby averting potential factionalism amid the crisis.[12] This arrangement allowed Rajaram to assume effective control, with his coronation as Chhatrapati occurring shortly thereafter, around late March 1689, ensuring continuity of command.[13][14]As Mughal general Zulfikar Khan advanced on Raigad, initiating a siege on March 25, 1689, Yesubai coordinated the fort's defense while facilitating Rajaram's secret escape southward in late June 1689, accompanied by key commanders and loyalists, to sustain guerrilla operations from remote strongholds like Jinji.
In the captivity of Mughals she had another Namamudra in Persian language namely " Yesubai Valida-E-Sahu" .Chatrapati Shahu Maharaj and Rajmata Yesubai were in touch with other secretly through letters whose evidence is present in the history. These portrayals, while rooted in verifiable events like her 1719 release under the Treaty of 1719, reflect a nationalist lens that elevates her as emblematic of Maratha cultural continuity, contrasting with sparser primary depictions focused on dynastic continuity rather than individual valor.[35]
In Film and Modern Media
In the 1954 Marathi film Maharani Yesubai, directed by Bhalji Pendharkar, the titular role was central to depicting Yesubai's life following the death of Chhatrapati Shivaji Maharaj, with Sambhaji ascending to the throne amid internal and external threats from the Mughals.[36] The film starred Ramesh Deo and emphasized her role in supporting the Maratha resistance.[37]The 2025 Hindi historical drama Chhaava, directed by Laxman Utekar and released on February 14, portrayed Yesubai as a steadfast consort to Chhatrapati Sambhaji Maharaj, played by Rashmika Mandanna opposite Vicky Kaushal's Sambhaji.[38] The film focused on the Maratha-Mughal conflicts, highlighting Yesubai's contributions to empire stability during Sambhaji's reign.[39] Mandanna's performance drew mixed reception, with some critics and audiences questioning her suitability for the role due to perceived mismatches in maturity and historical gravitas.[40]Appearances in television and other modern media remain limited, though Yesubai features in serialized historical narratives on Marathi channels, often as a symbol of endurance during Mughal captivity, without dedicated standalone productions post-1954 until Chhaava.Marathi News Esakal . Development of Women: The Maharashtra Experience in Women's Policy Implementation. The agreement, ratified by Shahu on August 1, 1718, included Clause 6 explicitly requiring the emperor to release Yesubai, Shahu's wife Savitribai, brother Madansinh, and their attendants from Delhi, alongside broader concessions like Maratha rights to chauth (one-quarter revenue) and sardeshmukhi (additional ten percent) in Deccan provinces in exchange for Maratha military support against imperial rivals.[23]Sayyid Husain Ali pledged imperial confirmation of these terms, viewing the Marathas as allies to consolidate power amid Mughal infighting.[23]To enforce the hostage clause and obtain formal farman (imperial decrees), Balaji Vishwanath led a delegation to Delhi in late 1718, navigating court intrigues including tensions with the Sayyid brothers.
Lotus Press. Royal Mughal Ladies and Their Contributions. However, bakhars suffer from retrospective glorification and internal inconsistencies, prioritizing narrative drama over chronological precision, as noted in critical analyses of Maratha source materials.[28]Mughal Persian records, including the Maasir-i-Alamgiri and imperial farmans, offer a contrasting administrative perspective, treating Yesubai as a political hostage whose custody ensured leverage over Maratha factions, with details on her transfer to Delhi in 1689 alongside her son Shahu and limited references to her maintenance allowances rather than personal defiance.