Othon friesz biography of michael
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Oil on canvas. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.
During the last thirty years of his life, he painted in a style completely removed from that of his earlier colleagues and his contemporaries. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault.
65 x 83 cm. He painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. At the same time he began showing work at the Salon: he exhibited in the Salon des Independants from 1903 and in the Salon d'Automne from 1904, including the seminal 1905 show.
Fauvism: Strong Colours, Broad Brushstrokes
In 1905, after several painting trips to the South of France, Friesz fell under the influence of Matisse's style of Fauvism, and devoted himself to the study of pure colour.
The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past.
In 1905 he painted in La Ciotat, mid-way between Marseilles and Toulon, in 1906 he was with Dufy at Falaise and with Georges Braque in Antwerp. Friesz, who participated in exhibitions not only throughout Europe but also in the Armory Show in New York as well as in Chicago, taught between 1912 and 1921 at the Académie Moderne in Paris, from 1925 at the Académie Scandinave and from 1944 at the Académie de la Grande Chaumière.
Oil on canvas. During the 1920s he spend extended periods working in the South of France, at Toulon and in Provence. In 1940, in collaboration with his longtime friend Dufy, he finished a large mural painting in the Palais de Chaillot, Paris. 119 x 95.5 cm. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study.
Under the influence of Cezanne (1839-1906) - who had just died and whose work had been the subject of a major exhibition in 1907 at the Salon d'Automne, Friesz began to give more priority to composition and form. A faint baroque flavor adds vigor to his landscapes, still lifes, and figure paintings.
Othon Friesz is buried in the Cimetière du Montparnasse in Paris.
External links
- [1], The Port of Anvers 1906
| Persondata | |
|---|---|
| Name | Friesz, Othon |
| Alternative names | |
| Short description | French artist |
| Date of birth | 6 February 1879 |
| Place of birth | Le Havre |
| Date of death | 10 January 1949 |
| Place of death | |
- 1879 births
- 1949 deaths
- People from Le Havre
- Fauvism
- French painters
- Modern painters
- Burials at Montparnasse Cemetery
He is buried in the Cimetière du Montparnasse in Paris. In 1909 he went to Munich with Dufy where he painted rigidly structured urban views which already show a noticeable estrangement from the use of pure colour pigments. He met with Henri Charles Manguin, Albert Marquet, Henri Matisse and Charles Camoin. Colour ceased to dominate the canvas, form reappeared in light and volume."
Mature Style of Painting
Following a painting trip to Portugal in 1911, Friesz settled on what was to become his signature method: a traditional but looser, style of oil painting.
He began to use stronger colours, and developed broader brushstrokes. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. In 1912 he opened his own studio where he taught until the outbreak of war in 1914.