History of antonio molina
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Mullins enlisted in the Continental Army in 1777 and served until the end of the war in 1783.[1] He returned immediately thereafter to Albemarle County, where he was married in November 1784 to Polly Clark.[2] In 1790, he bought a 150-acre parcel of land from Peter DeRieux, Philip Mazzei's son-in-law;[3] he sold this same tract to James Monroe twelve years later for £100, and it became part of Monroe's Highland estate.[4]
In 1799, Thomas Jefferson wrote that Mullins was doing "tolerably well" to an Italian friend.[5] Mullins also had business dealings with Thomas Jefferson, although Jefferson's correspondence and accounts reveal only one transaction.
for Mullins 5.75".[7]
After the death of his first wife, Mullins married a Sally Rambols (apparently mis-transcribed in some documents as Reynolds),[8] on January 18, 1809.[9] Mullins had a total of eighteen children with his two wives.[1] By 1820, Mullins had moved to Lincoln County, Tennessee, with his family.[11]
In 1824, Anthony Mullins's son William wrote to Thomas Jefferson, "I Recd a letter from my father anthony Mullins (who lives in Tennessee) a few days since requesting me to take the Depositions of Several persons deposing and stating That He the said anthony Mullins was a soldier in The United states service in time of the Revolutionary War; He particularly requested me to get your Deposition but as it is out of my power to come to you I will Take it as a great favor of you to Have it taken and send it in a letter to me at Rose mills Post office—you will remember little anthony Mullins who served medza at a place Called Colly you will understand that the old man wishes to get the pension that is Allowed old soldiers He writes me [. . .] family is small and that he is gett[. . .] and frail and is now in need of any s[. . .]h assistance—."[12] Jefferson did remember Mullins, but was not able to provide the specific deposition needed.
years since it's commencement prevent my being able to give any deposition as to the enlistment of your father."[13] Anthony Mullins did eventually receive his military pension. As a member of the faculty of the UP Conservatory, he had taught many of the country’s leading musical personalities and educators like Lucresia Kasilag and Felipe de Leon.
Works:
–Hatinggabi,
-Misa Antoniana Grand Festival Mass
-Ang Batingaw, Kundiman- Kundangan
-String Quartet
-Kung sa Iyong Gunita
-Pandangguhan
-Amihan
-Awit ni Maria Clara
-Larawan Nitong Pilipinas
Sources:
https://en.wikipedia.org/wiki/Antonio_Molina_(composer)
http://ncca.gov.ph/about-culture-and-arts/culture-profile/national-artists-of-the-philippines/antonio-j-molina/
Related
Published
Anthony Mullins (Antonio Molina or Molini, ca.
Nailathala ang unang komposisyon niya noong 1913 na pinamagatang “Lamentos de mi Patria.” Ang pinakabantog na komposisyon niya ay ang “Hating Gabi,” isang harana sa saliw ng biyolin at piyano. A rich compilation of information about Mullins and his family by descendants.
I am persuaded that wheat will be to be got at the present price of corn. He died November 3, 1836.[14]
- Anna Berkes, February 2009
Further Sources
- Casteel, Marjorie O'Brien, ed. The Story of Antonio Molina: Patriarch of the Anthony Mullins Family, an American History. Apollo, PA: Closson Press, 2006.
Education
He attended the Escuela Catolica de Nuestra Padre Jesus Nazareno in Quiapo, Manila, and college at San Juan De Letran where he was awarded a Bachelor of Arts degree in 1909.
Career
He was named a National Artist of the Philippines for his services to music He was also known as the Claude Debussy of the Philippines due to his use of impressionism in music Molina made his first composition in 1912 titled Matinal, which is preserved in an unpublished volume called Miniaturas, Volume
1.
He was appointed to teach harmony, composition, music history, and violincello at the Uttar Pradesh Conservatory of Music, pursuing a career in music education until being appointed dean of the Centro Escolar Conservatory of Music.Habang nása UP, nilikha niya ang “Era La Penumbra,” “Kung sa Iyong Gunita,” “Cantilena Romantica,” “Ave Maria,” “Scherzo in D major,” “Efipania de las Rosa,” at “No Adayuca.” Ngunit hinangaan niya si Claud Debussy at ang impresyonistang estilo nito na ginamit niya sa “Pandangguhan” noong 1951.
Matagal siyáng naging guro ng musika sa UP, University of Santo Tomas Conservatory of Music at Centro Escolar University.
Translated by S. Eugene Scalia; edited by Margherita Marchione. months' credit."[6] A notation later appeared in Jefferson's accounts, "Pd. Ang malaking bahagi nito ay gumamit ng katutubong musika. barrels to sell at 10/. He wrote to the younger Mullins, "I remember well your father Anthony Mullins, or little Anthony as he was called, his Italian name being Antonio Molini; but I do not remember that he particularly became a souldier in the Revolution war.
1750-November 3, 1836) accompanied Philip Mazzei when he immigrated from Italy to Virginia in 1773, and worked with him at Colle where Mazzei was attempting to grow grapes for wine. At an early age, he took to playing the violoncello and played it so well it did not take long before he was playing as orchestra soloist for the Manila Grand Opera House.
Molina is credited with introducing such innovations as the whole tone scale, pentatonic scale, exuberance of dominant ninths and eleventh cords, and linear counterpoints.
He founded the CEU String Quartet which was professionally organized and financed by its music school. Prato, Italy: Cassa di Risparmi e Depositi di Prato, 1983.
Background
Molina was born in Quiapo, Manila, the son of lulu Molina, a government official, who founded the Molina Orchestra. Jefferson wrote to his overseer, Edmund Bacon, in 1808, "...
you might purchase this if to be had at 2.