Frayda lindemann biography of martin
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She had been professor of music at Vassar. It's a real person. She earned a bachelor’s degree from Hunter College, and a Ph.D. And so we had a connection and we had a lovely dinner and we went to some opera - I don't remember which one, and then (there) must have been somebody (who) called me to join the board originally. The three of us had a German teacher.
I graduated at 21, and I enrolled at Columbia in 1971, so I was 32 years old when I enrolled. The soundboard cracked, and they replaced the piano. That's all I remember really, and then it became Otello. And my sister decided when she saw that piano, that she wanted to play the harp. And I knew that I couldn't (as most graduate students in music must do) go and spend time in Europe.
The parents. And when I thought about it later, I think that's really pretty good advice for a young person.
We enjoyed each other's company. And I think it's really important that someone who has had such a leadership role is someone people can talk to, thanks to a video interview. I wound up playing that harp, you know, for a little bit, nothing much, but my mother knew that was not going to work. My mother was a local piano teacher, so she played the piano and she was a piano teacher for young people in the neighborhood.
Carolyn B. Maloney
Matt McClure
Michael Miebach
Kathryn A. Miller
Richard J. Miller, Jr.
James Mitchell, Jr.
Marta Nottebohm
Al Roker
John Rose
Winthrop Rutherfurd, Jr.
Laura J. Sloate
Marc I. Stern
Keebler J. Straz
Douglas Dockery Thomas
Robert L. Turner
George L. Van Amson
Barbara Walkowski
Ann Ziff
Honorary Directors
Susan S.
Braddock
Bruce Crawford*
Christine F. Hunter
James W. Kinnear
Camille D. LaBarre
Mrs.
The Oral History Project is supported by the Arthur F. and Alice E. Adams Charitable Foundation.
Frayda Lindemann, arts administrator, trustee
Frayda B. Lindemann is president and CEO of the Metropolitan Opera and immediate past chairman of Opera America.
So I did what I could do. I was born in 1939, so it was probably during World War II. We had an upright piano at the time in the living room, and we had a radio; we had no TV. So I would pick out the little tunes that I heard on the radio on that piano. So at three and a half or four, she took me to New York to a 91 or 92 year old professor, Kate Chittenden.
It was a Bachelor of Arts in music.
Marc A. Scorca: Just music from early childhood.
Frayda Lindemann: Well, you know, Marc, I was interested in history. But the best are the people. Even my grandchildren's music teachers in California and in Miami, they recognize the name.
Marc A. Scorca: That makes you eponymous: the eponymous Frayda Lindemann.