Cecile licad biography tagalog
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My obsession returned again.
In the 2012-13 season she returned to the Buffalo Philharmonic and the Adrian (MI) Symphony orchestras, and performed with the Northwest Sinfonietta in Seattle and Tacoma, as well as the Tupelo Symphony. That was his ritual. So life is coming back.”
By 2021, she was being presented in concerts again, including at the Kaatsbaan Summer Festival in Tivoli, New York, where she played Rachmaninoff’s Thirteen Preludes while a new ballet was premiered.
A young Licad (right) with other music greats.
no. The program featured Chopin’s Piano Concerto No. 2 and Saint-Saëns’ Piano Concerto No. 2, alongside Mozart’s Overture to The Magic Flute and Rossini’s Overture to L’italiana in Algeri. And on Sony Classical, she has recorded Schumann’s Carnaval, Papillions and Toccata in C Major; and Rachmaninoff’s Piano Concerto No.
2, and Rhapsody on a Theme of Paganini with the Chicago Symphony, conducted by Claudio Abbado. She also plays a recital at the Husum Rare Music Festival in Germany, as well as at Festival Miami. Hailed by The New Yorker as a “pianist’s pianist,” Licad lives in New York City, but her music and heart remain deeply tied to her homeland.
This season she is back home, performing for Filipino audiences in a tour that began in Manila and continues through Baguio, Antipolo, Quezon City, Iloilo, and Catanduanes.
Artistry and discipline
Licad was born in 1961 to Jesús Licad and Rosario Buencamino Licad.
Here is the official video of Cecile Licad’s March concert in Manila:
On the Music Masters label, Licad released a recording of three works by Ravel: Le tombeau de Couperin, Gaspard de la Nuit, and Sonatine.
You were breathing fresh air and were surrounded by nature. At seven, she made her debut as soloist with the Philharmonic Orchestra of the Philippines. Paco
Meanwhile, feminist and political activist Princess Nemenzo who raved over the March 19 Met performance said, “She should be named National Artist for Music! Licad's large repertoire as an orchestral soloist spans the Classical works of Mozart and Beethoven, the Romantic literature of Brahms, Chopin, Tchaikovsky, Schumann and Rachmaninoff, and on to the 20th century compositions of Debussy, Ravel, Shostakovich, Prokofiev and Bartok.
Ms.
She also recorded Rachmaninoff’s Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini with Claudio Abbado and the Chicago Symphony, regarded as one of her landmark achievements.
A life between New York and Manila
Now based in New York City, Licad has lived much of her adult life abroad, often describing her daily existence as solitary and disciplined, with practice forming the core of her routine.
There is nothing prosaic in this world unless we make it so.
Unlike the God-distracted nun who gave dos palabras, I didn’t think of God in my tonal center.
God was humble that night. She has freely acknowledged that her flourishing career can be attributed in part to this assistance.
Equally vital was the presence of the late Zenaida “Nedy” Tantoco, longtime chair of the Philippine Philharmonic Orchestra Society and one of the country’s great arts patrons.
She said, “I mentioned to Pablo (Tariman, the writer and her confidant) that I was mostly depressed. Her home base in New York City wasn’t spared. Licad told her how sorry she was that “we weren’t able to use it for the first night, but she told me, she was even more impressed how I actually made that old piano reverberate.”
The pianist told the woman, “I am used to performing in the Philippines under any situation, including small pianos that I call embryo pianos, a fire breaking out after a performance, storms, you name it.
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Cecile Licad, piano
Called "a pianist's pianist" by The New Yorker, Cecile Licad's artistry is a blend of daring musical instinct and superb training.