Autobiography of marilyn monroe pdf
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Young Norma Jean Mortenson was unsure of everything: who her parents were, what it might feel like to be loved, even the legitimacy of the name by which she was called. Again, does it really matter who held the pen?
The only real fault I can find in the book is that it is obviously a project that was dropped and never completed. By 1953 Marilyn Monroe had progressed to leading roles.
Her dumb blonde character was used in such films as Gentlemen Prefer Blondes, How to Marry a Millionaire and The Seven Year Itch. Greenson, Pat Newcomb, and that family whose name begins with a K), we�ll never know. Maybe Hecht, Greene, Skolsky added grammar and punctuation corrections but over all you can believe what the book has to say.
Like Marilyn herself, the book ends far too soon.
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It was weird for me, for, in spite of how fascinating she is, I felt compelled to avert my gaze, as if I were peeping at the nakedness of a divinity, as if I were staring presumptuously into a sacred fire. As to what she might have thought about the major players of her later years, (Dr.And it is the contents of �My Story� that I want to address here. Like Weatherly�s �Conversations,� �My Story� has the ring of truth to it.
The truth here is that even �My Story� has its own embellishments. My Story provides a few hints, but no real answers.
Perhaps it is easier for The Goddess to possess a girl who is unsure of her own identity.
She then went on to study at the Actors Studio to broaden her range and her performance in Bus Stop was hailed by critics and she received a Golden Globe nomination. This is not an autobiography, covering Marilyn�s life from birth to that last summer. That Hecht was commissioned by Marilyn�s agent, Charles Feldman, to write the book should not detract from the story and the words presented.
My Story
In addition to the gorgeous photographs taken by Milton Greene, I find this half-formed book fascinating for three reasons: for the way the ghost of Marilyn Monroe haunts our image of sensuality, for the way the ghost of Norma Jean Mortenson haunts the image of Marilyn Monroe, and for the way the ghost of ghost-writer Ben Hecht haunts the first person voice of this artful, unfinished narrative.
Three nights ago, for the umpteenth time, I watched Gentlemen Prefer Blondes, and for the first time in many viewings I took my eyes off Jane Russell (my favorite, the sex symbol a man could have a beer with) and gazed steadily at the perfectly-crafted image of Marilyn Monroe.
The question rarely raised in regards to both books is �Does it really matter?�
Please don�t think I am comparing the Pulitzer Prize winning �Profiles� to Marilyn�s autobiography in any way other than pointing out that both are books whose authorship has become more of a focus than the books� actual contents.
Most of the book is a result of several months of Marilyn and Hecht meeting on a regular basis to go over the facts and memories of Marilyn�s life to that point, (1954).
So many things happened in the early Seventies as regards to Marilyn�s story. The circumstances of her death from an overdose of barbiturates have been the subject of conjecture.
The same non-ending debate can be applied to the true authorship of Marilyn Monroe�s �My Story.� Did she actually write it or was the book the product of 20th Century-Fox�s publicity department channeled through the pen of Ben Hecht?