Amoy pitters biography for kids

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“I have very diverse stylists and the clientele,” she says. Clients can expect to see Jewish women, a Latina women, and so on at Amoy Couture Hair.

What may be more difficult to spot is one of the many celebs or socialites rumored to have their tresses coiffed at Pitters’ salon. “Coming from the Bronx in that era … I had it down pat,” Pitters says.

taxes, payroll, etc.).

Diversity is present in every aspect of her business. Joan doesn’t mind coming in the salon, Naomi (Campbell) loves coming to the salon, but there’s a few that will never come. That was one of my favorites.

It was a team effort.

She was like, “Do you want to come to Paris?” And I was like, hell yeah.

I went to my first show in Paris in 1996 or 1997. It’s that double-edged sword; you have to give something up.

So I started putting extensions in his hair.  If they cannot make it to New York, think London or Paris as an alternative. On top of that, I'm working with stylists who are well-established and seasoned. Despite gaining fame for her expertise in helping her clients turn heads with their extended locks, she does everything when it comes to hair; she has cut, styled, colored, and highlighted hair for high-fashion photo shoots and runway models in Milan, Paris, and New York.

After seeing her unique talent for styling models on the runway, her first celebrity clients were fashion industry giants John Galliano and Donatella Versace. Pitters stands strong as the African American, female salon owner “to the stars.” Amoy Couture Hair is a serious reflection of herself—a woman who is all about the business.

Chosen as one of Goldman Sachs’ 10,000 small businesses in 2015, Pitters’ Amoy Couture Hair was the only hair salon among a total of 23 businesses chosen to participate in an eight month course, which afforded the opportunity to learn how to take one’s business to the next level in a major way.

Pitters thrives on both professionalism and flying under the radar, and maintains her solid reputation in a growing industry where so many have remained mediocre or failed.

Before a lot of Blacks started showing up, they really couldn't handle [their hair] as fast as we can, or they would put the wrong products. Pitters’ fresh take on servicing clients through the newly created app is destined for success. So everybody did their thing backstage.

You were nicknamed the “Extension Girl,” but the way you talk about it, and also the way that I understand it, too, is you basically just came into this really white space with knowledge that just comes from your background.
Yes, exactly.

In order to ensure that each weave works perfectly for her clients, Amoy Pitters consults with every customer to get the color and texture exactly right, preferring extensions made from 100 percent natural human hair. Amoy Pitters has helped many celebrities develop their signature styles, including such clients as international supermodel Naomi Campbell and Victoria’s Secret angel Selita Ebanks, as well as prominent musicians like Sheryl Crow, Mary J.

Blige, and Rihanna. She wanted a change, and we were like, just cut it, just do something different.

Were there a lot of Black hairstylists around back then?
No, there weren’t. “I started braiding vertically and sewing horizontally, so when the hair grows out, it's not pulling down.”

Her reputation caught Donatella Versace’s eye—who previously had sought-after hairstylist Ellin La Var on retainer—leading to weekly calls to Milan, Concorde flights, yacht stays, and even a Thanksgiving feast with Versace’s staff.

For those in the know, she became the best hands to book.

Nicknamed “Extension Girl,” Pitters introduced John Galliano to weave—including an extension dread collaboration with late hair icon Derek Scurry for Dior’s SS2000 show—and wowed Europe with her hair-first sew-in technique. Then I kind of started my own thing and expanded my salon to where I now have five to six employees.