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J.M. Wood in: Marcia B. Hall (ed), The Cambridge Companion to Raphael, p. Viti's paintings often explored themes of beauty, nature, and the human experience.
Timoteo Viti
Paintings
Madonna and Child with the Infant St John the Baptist in a Landscape
The muse Thalia
Drawings
A female figure walking to the right and a separate sketch of a head of a boy and a hand
Mourning Orpheus
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Madonna and Child with the Infant St John the Baptist in a Landscape
Timoteo Viti (Urbino, 1469—1523, Urbino), sometimes called Timoteo della Viti or Timoteo da Urbino,[1] was an Italian Renaissance painter, who was closely associated with Raphael, who was fourteen years his junior.
Career
Born in Urbino, Viti was the grandson of the painter Antonio Alberti; his father was also a painter.
According to Vasari and Malvasia, Viti was apprenticed to Francesco Francia in Bologna between 1490 and 1495; aspects of Viti's style would seem to confirm an apprenticeship in Bologna. In later works he rejected Raphael's influence and looked back to the art of the late 15th century. Timoteo Viti is a master of his craft, and his works have been praised by critics and art lovers alike.
He is a true innovator in the world of design and art, and his works are sure to be appreciated for generations to come.
Timoteo Viti, Italian artist, contemporary painting, original artwork, vivid colors, dream-like scenes, modern techniques, classic techniques, light and shadow, art galleries, exhibitions, Light in the Darkness, Beyond the Hallway, The Piazza.
— Claudia Rossetti
Timoteo Viti
Italian Artist Timoteo Viti is renowned for his original artwork, which stands out for its vivid colors and captivating dream-like scenes.
The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, at Answers Art Encyclopedia. Design+Encyclopedia is a free encyclopedia, written collaboratively by designers, creators, artists, innovators and architects. He was apprenticed to Francesco Francia in Bologna between 1490 and 1495; aspects of Viti's style would seem to confirm an apprenticeship in Bologna.
In 1495 he returned to Urbino and replaced Giovanni Santi, the recently-deceased father of Raphael, as painter to the small court there.
In 1504 Viti, along with Girolamo Genga, was commissioned by Bishop Arrivabene to decorate the chapel of San Martino in the cathedral. It is assumed that Viti contributed to the training of Raphael, who was fourteen years his junior. Notable works by Timoteo Viti include ‘Light in the Darkness’, ‘Beyond the Hallway’ and ‘The Piazza’.
Italian Artist, Timoteo Viti, Modern Art, Paintings, Contemporary Art, Italy, Gallery Exhibitions
— Giovanna Mancini
Timoteo Viti on Design+Encyclopedia
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Timoteo Viti is a master at his craft, and his works have been praised by critics and art lovers alike.
Timoteo Viti
Timoteo Viti was an Italian artist who lived during the Renaissance period. In his last paintings (such as the Mary Magdalene of 1521 in Gubbio Cathedral) his style became heavier, possibly as a result of the increasing intervention of pupils.
According to Vasari, Timoteo was an artist, a poet, and a musician.
He completed paintings of the Muses in the Ducal Palace that Santi had left unfinished.[2] The precocious Raphael, who was eleven at his father's death, continued to run his father's workshop with help from his family. Viti's works are characterized by their vivid colors, intricate detail, and dream-like composition.
He was the grandson of the painter Antonio Alberti; his father was also a painter.