Recambios el cordobes biography examples
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Bunu cehaletle, paranın gücü ile açıklamak mümkün mü ? As the "pop idol" of his generation, Benítez's theatrical passes and close shaves captivated viewers via Televisión Española broadcasts starting in the late 1950s, elevating the event from regional ritual to national phenomenon and reinforcing its role as a rite of bravery and artistry against emerging sanitized cultural imports.[76][40]Economically, El Cordobés's packed arenas fueled revenue streams for Córdoba's Feria de Nuestra Señora de la Salud and similar events, sustaining jobs in breeding, transport, and hospitality tied to the tauromaquia sector, which even in the 1960s underpinned rural economies in Andalusia through high-attendance fairs.
El Cordobés Explained
Manuel Benítez Pérez (born 4 May 1936), more commonly known as El Cordobés (The Cordovan), is a Spanish bullfighter, matador, and actor active in the 1960s who brought an unorthodox acrobatic and theatrical style to the bullring.[1][2]
Career
One of the original techniques practiced by El Cordobés was first shown at Anjucar.
Kitap aslında boğa güreşi hakkında oldukça geniş bilgi edinilmesini sağlıyor, tabii benim gibi bu milli sporun vahşet olduğunu kabul eden birisi için cazip bir faktör değil bu.
Kitabın adının çekiciliği Manola’nın ilk boğa güreşlerinden birinde ablasına söylediği, daha doğrusu verdiği bir sözden alınmıştır ve kitabın tanınırlığında önemli bir payı vardır.
37. 4 March 1978. He continued to make occasional appearances as a matador until 2000, when he retired for good.
He also acted in several motion pictures.
El Cordobés lives in near seclusion near Córdoba. This maneuver was repeated in bullfights across Spain, sometimes with even more dangerous variations, such as standing with his back to the barerra and driving in the banderillas after the horns passed either side of him.
A significant moment in his career came on May 20, 1964, when he made his first appearance at Las Ventas, the bullring of Madrid.
Critics noted his crudeness but acknowledged the reflexes and antics that offset it, fostering a more accessible entry point for spectators and preserving core elements of the tauromaquia despite purist objections.[77][1]The establishment of a bullfighting dynasty through his sons, Julio Benítez and Manuel Díaz—both adopting the "El Cordobés" sobriquet—extended this impact, as they staged tributes and corridas blending inherited spectacle with ritual precision, ensuring generational continuity in the face of declining traditional recruitment.
Kitabı bitirince bunu uzun uzun düşündüm.
El Cordobés
Born into riches, his father had to go to jail for his political ideas during the Spanish Civil War. His mother died shortly after and 11 years later, his father, Jorge, was let out and died in Cordoba. Critiques of contemporary bullfighting prohibitions, often advanced by urban activist groups with ideological leanings, overlook such verifiable economic scaffolding and risk cultural homogenization by prioritizing animal welfare abstractions over empirical traditions of skill-tested human-animal confrontation.[76][80]
Or I'll Dress You in Mourning: The Story of El Cordobes and the New Spain He Stands For
This maneuver was repeated in bullfights across Spain, sometimes with even more dangerous variations, such as standing with his back to the barerra and driving in the banderillas after the horns passed either side of him. 319.
El Cordobés
Manuel Benítez Pérez (born 4 May 1936), professionally known as El Cordobés, is a retired Spanish matador de toros celebrated for his daring, acrobatic style that involved maneuvering perilously close to the bull's horns during the 1960s.[1][2] Born into a poor family in Palma del Río near Córdoba, he began as a self-taught fighter after working as a bricklayer and faced early risks without formal training.[1] His unrefined yet reflex-driven technique drew massive crowds, making him a symbol of popular spectacle in bullfighting.[3]El Cordobés achieved remarkable feats, including killing a record 64 bulls in August 1965 alone, earning widespread acclaim and substantial fees that positioned him among the era's top earners.[4] He fought over 120 corridas in a single season by 1970, surpassing previous records, and retired multiple times—first in 1967 citing a personal revelation—before returning to the ring.[5][6] His performances revolutionized the spectacle, blending theatrical elements with raw proximity to the animal, though purists often decried the lack of classical precision.[7]In later years, El Cordobés faced personal controversies, notably a 2016 court ruling affirming paternity of bullfighter Manuel Díaz based on DNA evidence, despite his denials, highlighting familial disputes within Spain's bullfighting dynasties.[8] Early career incidents, such as disputes over bull quality leading to fines, underscored tensions with traditionalists and authorities.[3] His legacy endures as a transformative figure who popularized tauromaquia amid Spain's cultural shifts.[7]
Early Life
Birth and Family Background
Manuel Benítez Pérez was born on May 4, 1936, in Palma del Río, a municipality in the province of Córdoba, Spain, into a working-class family aligned with the Republican side during the Spanish Civil War, which had erupted shortly before his birth.[9][1] His father, identified as a "rojo" in contemporary terminology for Republicans, perished during the conflict, exacerbating the family's economic vulnerability in the immediate postwar period under the Franco regime.[10]The Benítez family's circumstances reflected the broader hardships faced by Republican sympathizers after the Nationalists' victory in 1939, including repression and material scarcity that hindered access to stable employment and education.[11] Relocating from rural Córdoba to Madrid in search of opportunities, young Benítez contributed to the household through manual labor, initially as a farmhand in the countryside and subsequently as a bricklayer in the capital, forgoing schooling and building physical endurance through demanding, unskilled work typical of impoverished migrants.[12] This self-reliant upbringing, devoid of elitepatronage or structured apprenticeship, contrasted sharply with the privileged paths of many in his future profession.[13]Path to Bullfighting
In his early twenties, Manuel Benítez Pérez relocated to Madrid, where he supported himself as a bricklayer while pursuing an interest in bullfighting without formal training or mentorship.[12][14] Around age 23 in 1959, he began practicing illegally at night with untrained cattle on the outskirts of the city, honing basic techniques through risky, unsupervised encounters that emphasized his raw physical instincts over structured preparation.[15] This clandestine method, funded by his manual labor earnings, marked the initial phase of his self-directed path, bypassing the conventional apprenticeship common among aspiring bullfighters.Benítez escalated his efforts by acting as an espontáneo, vaulting fences to enter professional bullrings uninvited during ongoing corridas, where he would attempt passes at the bulls before being ejected by authorities.[16] These intrusions, often resulting in arrests for unauthorized access, drew public attention to his audacity and unpolished talent, though they also highlighted the dangers of his improvisational approach without protective support or experience.[15] Repeated incidents built a grassroots reputation among local aficionados, demonstrating his willingness to risk injury or legal consequences to gain exposure in the bullfighting world.Supplementing these exploits, Benítez took on informal roles as a peón—an assistant handling tasks like retrieving capes or aiding in the ring—within various bullfighters' cuadrillas, providing closer observation of live events while relying on innate reflexes to navigate proximity to charging animals.[17] This progression from peripheral helper to aspiring novillero, who would face young bulls in minor venues, underscored his determination amid a lack of literacy or elite connections, positioning him for eventual formal recognition through sheer persistence rather than pedigree.[18]Professional Career
Novillero Period and Debut (1950s–1959)
Manuel Benítez Pérez, born in 1936 in Palma del Río, Córdoba, spent much of the 1950s as a day laborer and bricklayer while cultivating a self-taught interest in bullfighting through clandestine practices in the countryside, where he confronted cows and novice bulls without professional guidance or equipment.[19] His humble origins and absence of influential connections or a manager led to repeated rejections from bullring organizers, who prioritized novices with established pedigrees or sponsorships in the hierarchical world of tauromaquia.[19] These early, informal exposures honed his instinctive reflexes but yielded no formal recognition during the decade.Benítez's official presentation as a novillero, marking his first public appearance in the traditional suit of lights, took place on August 15, 1959, at the bullring in Talavera de la Reina, Toledo, during local fairs featuring young bulls.[20] This debut represented a breakthrough amid ongoing skepticism from the taurine establishment, as he lacked the typical apprenticeship under seasoned mentors.[21] In smaller provincial venues, his unpolished yet bold approaches to the animals began drawing modest crowds, foreshadowing his reputation for risk-taking despite the physical toll of frequent minor gorings sustained in these rudimentary fights.[12]Rise to Matador Fame (1960–1964)
Benítez, having built a regional following as a novillero with 109 fights in 1962, took his alternativa on May 25, 1963, in Córdoba's La Mezquita arena, sponsored by Antonio Bienvenida with José María Montilla as witness, where he earned two ears for his performance.[21] This formal elevation to matador de toros shifted his trajectory from Andalusian circuits to broader acclaim, evidenced by subsequent debuts in Lima's Acho plaza on October 27 (two ears) and Mexico City's El Toreo on December 21.[21] His annual fight volume remained high, exceeding 100 corridas in the prior novillero year and continuing post-alternative as demand grew.The pivotal breakthrough occurred in 1964 during Madrid's San Isidro fair, with his presentation and confirmation at Las Ventas on May 20 before 30,000 spectators, sponsored by Pedro Martínez Pedrés using Benítez Cubero bulls; despite a near-fatal goring by Impulsivo that required hospitalization, Benítez killed the bull and received one ear.[21][22] Demonstrating remarkable recovery, he returned to the ring after only 22 days, underscoring his physical resilience amid frequent risks in a schedule that prioritized volume over caution.[23] This event, televised nationally, amplified his appeal, drawing crowds that filled major venues like Sevilla (two ears and one tail on April 20) and Nîmes (four ears, one tail, and one hoof on May 17).[21]Benítez's ascent marked a transition from provincial obscurity to national phenomenon, with Las Ventas appearances generating gate receipts reflective of doubled attendance over contemporaries, as his $25,000 fee for the Madrid corrida alone surpassed typical peer earnings.[22] Even amid Franco-era politics, his self-made persona from Republican-leaning rural poverty attracted regime elites to sold-out spectacles, prioritizing spectacle-driven crowds over traditionalist gatekeepers.[23]Peak Achievements and Records (1965–1971)
In 1965, Manuel Benítez "El Cordobés" achieved 111 corridas, surpassing Juan Belmonte's longstanding single-season record of 109 established in 1919, and thereby topping the escalafón of matadores by number of appearances.[24][25] During August of that year alone, he dispatched 64 bulls, setting a monthly record for kills.[9] This performance underscored his dominance, as he maintained high volumes in subsequent seasons, including 95 corridas in 1966 and 109 in 1967, again leading the escalafón the latter year.[24][25]El Cordobés's financial success mirrored his activity, with estimates placing his annual income at approximately $3 million by the late 1960s, establishing him as the highest-paid matador of his era.[26] In August 1965, he reportedly earned 35 million pesetas, equivalent to about $600,000 at the time, for his prolific engagements.[9] By 1970, he escalated to a personal best of 121 corridas, further solidifying his peak status before concluding the period with 87 in 1971.[25][27]Following the 1971 season, El Cordobés retired at the height of his fame, attributing the decision to exhaustion from the relentless schedule and physical demands of facing hundreds of bulls annually.[26] Over this peak phase from 1965 to 1971, his records in corridas and earnings reflected an unprecedented commercialization of tauromaquia, driven by mass appeal rather than traditional artistry.[28]Retirement and Partial Return (1971–1981)
In 1971, after a decade of record-breaking success that made him the highest-paid matador in history with estimated career earnings of $15.5 million, Manuel Benítez Pérez, known as El Cordobés, retired from professional bullfighting.[28] His decision followed a farewell appearance in Madrid's Las Ventas bullring, marking the end of a career that had spanned over 500 corridas since his 1963 alternativa.[26] During the subsequent hiatus, he shifted focus to business interests, including pig farming, which he later cited as a factor in his restlessness.[15]El Cordobés staged a partial return to the ring on July 22, 1979, at age 43, in Benidorm, Spain, after nearly eight years away, facing six bulls as the sole espada in a sold-out event drawing 10,500 spectators.[29] The comeback proved triumphant, with critics awarding high marks for his enduring style and the crowd granting him five ears and a tail for his performances.[28] He participated in select corridas thereafter, including appearances in major Spanish plazas and tours across Latin America, though the engagements were limited compared to his peak years.[30]By September 1981, after approximately two years of intermittent activity, El Cordobés concluded his ring appearances, effectively retiring for good at age 45.[31] This phase reflected a scaled-back commitment amid the physical demands of the profession, allowing him to prioritize family matters over further public spectacles.[28]Bullfighting Style and Technique
Unorthodox Approaches and Reflexes
El Cordobés distinguished himself through a technique that prioritized exceptional reflexes and minimal distance from the bull, enabling him to execute passes by stepping aside at the last moment as the animal charged in its natural straight-line trajectory.After eight years of retirement, he returned to bullfighting in 1979. The Vancouver Sun. 23. The song is available in two languages: Spanish [5] and French.[6] El Cordobés' story was also the basis for the musical Matador (1987) by Mike Leander and Eddie Seago. Kurgusuna takılmazsanız kolay okunan bir kitap, akıcı, ama bir “klasik” olarak tanımlamak abartı olur.
İkinci husus İspanya İç Savaşı hakkında kabaca bir bilgi sunmasıdır, burada da yazarlar tarafsızlıklarını korumaya çalışmışlar ancak bana göre Franco yönetimi ve faşistleri biraz zararsız anlatımlarla geçiştirmişler.
Kitabı ilginç kılan Manola’nın çocukluğu, gençliği, matadorluğu İspanya İç Savaşı’na denk geldiğinden o dönemlerde yaşananlar, iç savaşın yıkımları, faşist diktatör Franco rejiminin toplum üzerindeki baskısı matadorun hayat hikayesini sarmalıyor olmasıdır.
Following an incident in 1983, when a bull that he was about to fight killed an espontáneo ("spontaneous," a person who illegally jumps into the ring to fight the bull), El Cordobés was much maligned by the press for allowing it to happen. 17 September 2012.
By the time of his first retirement, in 1971, El Cordobés had become the highest-paid matador in history.