Jean georges vibert biography sample

Home / Biography Templates & Examples / Jean georges vibert biography sample

1903. In 1866, the two friends worked on their Salon artwork entry called Entrance Of The Torenros together. France. His use of glazing—a technique involving thin, transparent layers of paint—lent his works a luminous depth, particularly in depictions of fabric and architectural interiors. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen.

fr. Unlike many of his contemporaries, Vibert avoided the overt political themes that dominated post-Commune France, instead focusing on the ironies of clerical and bourgeois life. His increasing renown enabled him to be among the most sought-after masters at the École des Beaux-Arts. He then took up a position at the École de Beaux-Arts at sixteen-years-old.

13 July 2021. While his genre scenes were often humorous, his portraits, such as that of the composer Charles Gounod (1890), reveal a more restrained, psychological approach. 13 July 2022. 18 February 1882. His death in 1902 coincided with the waning of the academic tradition he had mastered, though his paintings remained popular in private collections well into the 20th century.

Career and artistic style

Jehan Georges Vibert's oeuvre is defined by its dual commitment to technical virtuosity and biting social commentary.

Jean used his scientific abilities to prepare paint colors of his own, by studying the chemistry of colors. https://web.archive.org/web/20220316083332/https://www.leonore.archives-nationales.culture.gouv.fr/ui/notice/372005#show.

bot: unknown. The painting The Missionary’s Story (1883), which belongs to the Met, sold for $25,500 in the United States in 1886, which for its time was a remarkable amount. NY. D. Appleton & Company. The popularity of his works spread, notably in America, and fetched high prices including commissions from John Jacob Astor IV and William Vanderbilt.

A large collection of works by Vibert was amassed by the heiress May Louise Maytag on behalf of then bishop of Miami Coleman Carroll, who greatly fancied them. He later wrote a book of the science of painting, which he named La Science de la Peinture in 1891.

Vibert became a playwright, staging many productions, and wrote stories for The Century Magazine, based on scenes from his paintings, finding it a convenient way to advertise his works in America.

7/12.