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He joined the U.S. Army in 1949 and served during the Korean War. He earned his Ph.D. He collected historical maps and contributed original cartography to a number of published research works.
An expert on Arizona history, Dr. Byrkit authored the entry for “Arizona” in the 1990 and 2000 editions of Encyclopedia Britannica.
Saturday, Oct. 1, outside at the Riordan Mansion, 409 W. Riordan Ranch Road, in Flagstaff.
Awards and nominations
Annie Awards
James Ward Byrkit shared the Annie Award for Outstanding Achievement for Writing in a Feature Production at the 39th Annual Annie Awards in 2012 for his contributions to the screenplay of the animated film Rango.[34] This win, alongside John Logan and Gore Verbinski, celebrated the script's innovative fusion of classic Western archetypes with surreal, dreamlike sequences that enriched the film's visual and narrative landscape.[35] The screenplay's recognition highlighted Byrkit's skill in weaving character-driven storytelling, centering on the protagonist's quest for identity amid a quirky ensemble of desert inhabitants.[36]In the broader context of the Annie Awards nominations for 2011 animated features, Rango's writing entry competed against strong contenders including Arthur Christmas by Peter Baynham and Sarah Smith.[37] Byrkit's involvement extended to co-developing the original story for Rango, which laid the foundation for its acclaimed blend of humor, adventure, and introspective themes.Byrkit has described these initial art department duties as essential for building technical proficiency in visual storytelling without the pressures of principal creative responsibilities.
Editing and art department work
Byrkit established himself in the film industry through extensive contributions to the art department, particularly in pre-production visual design and storyboarding for high-profile projects directed by Gore Verbinski.This honor affirmed his impact on animation writing, emphasizing narrative depth over conventional tropes in a genre often dominated by family-friendly formulas.[38]
Independent film recognitions
James Ward Byrkit received significant recognition for his independent directing and writing debut with the science fiction thriller Coherence (2013), which garnered nominations and wins at major genre and independent film festivals.[39]At the 2014 Gotham Independent Film Awards, Byrkit was nominated for the Bingham Ray Breakthrough Director Award for Coherence, highlighting his innovative low-budget approach to narrative complexity in independent cinema.[39]Earlier that year, Coherence premiered to acclaim at Fantastic Fest, where it won the Next Wave Best Screenplay Award, praising Byrkit's script for its clever exploration of quantum themes within an intimate ensemble setting.[40]The film continued its festival success at the 2013 Sitges Film Festival, securing two honors: the Best Screenplay Award for Byrkit and the Carnet Jove Jury Award for Best Feature Film in the Official Fantàstic Competition, underscoring the film's impact on international genre audiences.[41]Byrkit's 2023 anthology miniseries Shatter Belt earned a nomination in the American Independents Competition at the 2024 Cleveland International Film Festival.[42]James Ward Byrkit
James Ward Byrkit is the visionary writer and director of the science fiction movie "Coherence," which achieved international recognition for Byrkit's audacious and boundary-pushing creativity and extreme independence.
After years of building his skillset working on major Hollywood franchises like "Pirates of the Caribbean" as a storyboard artist, Byrkit's first animated feature, "Rango," won an Academy Award.
Byrkit veered into uncharted territory making "Coherence" in his own home, without a crew and without a traditional script, stunning audiences and garnering major awards around the world.
25, 2011. Among many honors throughout his life, the Arizona Humanities Council recognized him for his lifetime achievement in Southwestern scholarship.
He is survived by his wife of 52 years, Anne; daughter Rebecca of Bisbee; daughter Ramona of Hanoi, Vietnam; son James (Alethea) of Los Angeles; daughter Alyssa of San Jose; and four grandchildren: Jedidiah, Ezekiel, Gibson and Andie.
A memorial service will be held at 11 a.m.
Byrkit researched and wrote extensively about Southwest topics including ancient trails, Spanish and early pioneer explorers, Native American studies, environmental issues in the Verde Valley, and Arizona mining and labor history. Byrkit was the conceptual artist on the first three films of the Pirates of the Caribbean franchise, and designed some of the most iconic sequences of the series.
His early involvement included serving as a conceptual consultant on Pirates of the Caribbean: The Curse of the Black Pearl (2003), where he assisted in the development of the film's visual style and sequence conceptualization, laying the groundwork for the franchise's distinctive visual style.[14] This role marked his entry into major studio productions, building on initial industry experiences to focus on visual elements that enhanced narrative delivery.Byrkit's work evolved into more specialized storyboarding and conceptual consulting across the Pirates of the Caribbean trilogy.
His contributions to the story emphasized quirky character dynamics and visual storytelling elements that supported the film's Oscar-winning screenplay. Throughout these projects, Byrkit's style emphasized conceptual efficiency, allowing directors to iterate on visuals that balanced spectacle with storytelling precision.[18]
Writing contributions
Byrkit co-developed the story for the animated Western Rango (2011), collaborating with screenwriter John Logan and director Gore Verbinski to craft a narrative blending parody, existential themes, and anthropomorphic adventure.Byrkit's prior experience editing films like Pirates of the Caribbean informed the project's tight pacing, allowing him to assemble the fragmented, multi-take scenes into a cohesive narrative despite the absence of rehearsals or a full script.[5]The film premiered at Fantastic Fest in 2013, where its minimalist ingenuity garnered immediate buzz for blending cerebral sci-fi with suspenseful character drama.[24] Critics praised Coherence for its intellectual depth and resourcefulness, with reviews highlighting how it transformed budgetary constraints into strengths, evoking comparisons to low-fi mind-benders like Primer.[25] Over time, it developed a devoted cult following among genre enthusiasts for its rewatchable twists and thought-provoking examination of reality's fragility, solidifying Byrkit's reputation as an innovative indie filmmaker.[26][27]
Later directorial works
Byrkit's early directing credits include the television episode "The Rocks" for the series Special Unit 2 (2001), a supernatural drama, and the short science fiction film Fractalus (2005), which follows astronauts on a quest beyond known reality.[28][29]Prior to Coherence, Byrkit directed the short film Pirates of the Caribbean: Tales of the Code: Wedlocked (2011), a 10-minute prequel to The Curse of the Black Pearl written by Ted Elliott and Terry Rossio.[8] In this piece, Byrkit helmed a comedic tale of pirate matrimony involving characters like Giselle and Scarlett, blending his prior franchise experience with emerging directorial flair.[30]Following Coherence, Byrkit's directorial efforts expanded into anthology series and anticipated sequels.These foundational roles immersed him in collaborative environments on major studio productions, honing his ability to translate narrative ideas into visual sequences.His professional debut came with the 1997 DreamWorks comedy Mouse Hunt, directed by Gore Verbinski, in which Byrkit worked as a production illustrator contributing to the film's conceptual artwork.
in American economic and social history from Claremont Graduate University.
He came to NAU in 1973, where he taught in environmental studies until his retirement in 1996.
Dr. After retiring from NAU, he gave more than 300 original media and oral presentations on subjects ranging from the Palatkwapi Trail, to the Lost Apache Gold Mine, to birds in Arizona’s Oak Creek-Sedona area.
In 1982, he wrote a comprehensive account of the Bisbee deportation, and edited Letters from the Southwest, by Charles Lummis. As of 2024, Byrkit is developing a feature sequel to Coherence with producer Kate Andrews.[10]
Early life
Childhood
James Ward Byrkit was born in Flagstaff, Arizona, into a family that fostered artistic development, with his father, a longtime professor at Northern Arizona University, providing a supportive academic environment.[11][12] Growing up in Arizona, he exhibited an early aptitude for creative pursuits, including illustration, graphic design, theatre, music, photography, and cinema, which ignited his lifelong interest in visual storytelling.[11] These formative experiences in a culturally rich setting near Northern Arizona University shaped his imaginative approach to arts and narrative, setting the stage for his later academic explorations.[11]Education
Byrkit attended the University of Arizona in Tucson for one year, exploring arts-related subjects before departing for a period of practical exploration that included a venture to Mexico.[11]He subsequently enrolled at Northern Arizona University in Flagstaff, where his father served as a longtime professor, and took classes in political science and visual communications, graduating in 1991.[11][13] These studies built upon his childhood artistic inclinations, fostering a foundation for creative pursuits in visual storytelling.[11]He also took a Shakespeare class at NAU.[11]Career
Early roles in film
Byrkit entered the film industry in the 1990s through entry-level positions in Hollywood's art departments, where he focused on illustration and conceptual design to support pre-production visuals.For Dead Man's Chest (2006) and At World's End (2007), he functioned as a key storyboard artist and illustrator, designing intricate action sequences such as naval battles and supernatural encounters.[14] His contributions influenced the pacing of these scenes by mapping out spatial dynamics and temporal flow, ensuring seamless transitions between live-action spectacle and character-driven moments.[15] This technical expertise in visualizing complex choreography became a hallmark of his collaboration with Verbinski, emphasizing innovative visual problem-solving over traditional animation.In the animated feature Rango (2011), Byrkit advanced to head of story while maintaining art department responsibilities, including storyboarding that integrated the film's Western motifs with fluid action set pieces.[16] His approach to visual layout directly shaped the pacing, blending rapid cuts in chase sequences with deliberate builds in comedic beats to maintain the film's quirky rhythm.[5] This progression from supportive art roles to leading creative visualization underscored his impact on both live-action and animated formats.Byrkit extended his storyboard artistry to superhero cinema as a visual consultant on The Amazing Spider-Man 2 (2014), where he contributed to the planning of aerial and urban action sequences.[17] His designs helped refine the film's high-energy pacing, prioritizing clarity in chaotic environments to heighten dramatic tension.
Byrkit also directed the short film Tales of the Code: Wedlocked (2011) a prequel to Pirates of the Caribbean: The Curse of the Black Pearl (2003).
Movie Highlights
Additional Information
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Jim Brykit, Ward Byrkit
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Action-Adventure, Drama, Science Fiction, Animation, Comedy, Family, Fantasy, Mystery-Suspense, Thriller, Western
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Arthouse Science Fiction Film, Psychological Thriller Film, Western Film
James Ward Byrkit
Active - 2005 - 2013 | |
Biography by Wikipedia
James Ward Byrkit is an American film director and writer, known for the science fiction thriller Coherence (2013) and the Academy Award-winning film Rango (2011).
The movie kicked off the current obsession with the multiverse and spawned innumerable imitations as it redefined modern independent filmmaking for a generation.
The film is the most popular American indie of all time in China, and has been theatrically adapted for the live stage in numerous countries, with productions in Australia, Mexico, Sweden, and Argentina.
James Ward Byrkit, an emeritus professor of environmental sciences at Northern Arizona University, died Sept.
In addition to his writing role, Byrkit lent his voice to several supporting characters, most notably Waffles, a hapless horned lizard.[19]Byrkit also provided conceptual narrative input for the short film Pirates of the Caribbean: Tales of the Code: Wedlocked (2011), helping shape its comedic take on pirate lore and romantic entanglements within the franchise's adventurous framework.[20] This work drew on his expertise in conceptual design to integrate humor with high-seas action, creating a self-contained tale that expanded the Pirates universe.[21]His theater training at CalArts informed the dialogue and character arcs in these projects, fostering authentic, improvisational-feeling exchanges that enhanced emotional depth without his involvement in directing.[22]
Directing projects
Coherence
Coherence (2013) was a significant early feature-length project for James Ward Byrkit, where he also served as writer and executive producer, crafting a science fictionpsychological thriller centered on a dinner party disrupted by a passing comet that triggers quantum decoherence and overlapping realities.[23] The film explores themes of parallel universes and fractured identities as eight friends grapple with eerie coincidences and alternate versions of themselves, drawing on concepts of quantum superposition to heighten interpersonal tensions and existential dread.[5] Shot entirely over five nights in Byrkit's own living room with a micro-budget of approximately $50,000, the production eschewed traditional scripting and special effects, relying instead on natural lighting and available props to create an intimate, claustrophobic atmosphere.[5]To achieve its raw, unpredictable energy, Byrkit employed an improvisational acting method, providing the small ensemble cast— including Emily Baldoni as the protagonist Em and Nicholas Brendon as Hugh—with only a single page of notes each day outlining their characters' backstories and motivations, while keeping others' details secret to foster authentic reactions.[23] The cast comprised mostly friends and non-professional actors, such as writer-director Lorene Scafaria, which contributed to the film's organic dialogue and heightened sense of realism amid the escalating weirdness.He was 80.
Born in Jerome, Ariz., on June 17, 1931, Dr. Byrkit was raised in Clarkdale, Ariz.