Gustave de smet biography sample

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Gustave was considered to be an indifferent student.

Career

De Smet became familiar with the painting profession via the house-painting atelier of his father. In the 1890s, Gustave was involved with the decoration of the exterior of the Spitzner museum, a famous fairground attraction of the time. He often combines traditional and abstract elements to create works that challenge the boundaries of traditional art.

His masterpieces, such as 'Solitude', 'Café Conversation', and 'Seawall', demonstrate his skill in creating powerful and emotive works of art. De Smet is also known for his daring use of mediums, incorporating a variety of materials such as oil, stone, and metal into his works. In fact, the conservative press used the economic crisis and the bankruptcy of the modernistic galleries to announce the end of expressionism, the prevailing movement of the 1920s.

In 1936, Gustave settled in a simple house in Deurle, the present Gust.

No less than one hundred and five top works by De Smet were auctioned for a trifle. Suddenly he was exclusively interested in the essence of things. The color palette was fuller, richer in contrast. As an artist, De Smet is an influential figure within the art and design world, inspiring many other designers and artists.

Gustave De Smet, artist, painting, sculpture, cubism, composition, creativity, abstract, design, mediums, masterpieces, oil, stone, metal, vibrant, color, shapes, textures, emotional, dynamic, atmosphere, influential.

— Claudia Rossetti

Gustave De Smet

Gustave De Smet is a renowned artist whose works have been widely exhibited in museums and galleries around the world.

Become a contributor and expand our knowledge on Gustave De Smet today. Especially Villa Malpertuis, the country house of Paul-Gustave van Hecke in Afsnee, met with his approval. No less than one hundred and five top works by De Smet were auctioned for a trifle. A well-known work of his had is "Dorpskermis" from 1930.

Works

  • painting

    • Vondelpark

    • La jupe rayée

    • Naked woman with flower bouquet

    • Girl with blue scarf

    • Le Jardinier

    • The port of Ostend

    • The Beguine Convent in Bruges

    • Harbour Under Snow

    • Jardin a Sint-Martens-Latem

    • Landscape

    • Three Flowers in a Vase

    • Village

    • The port of Ostend

    • Torse de femme

    • Mowing woman

    • Hollandse vissers; De maaier (Boyens 506; 515)

    • L'artiste et sa femme

    • Arbres

    • Landschap met Stromijt

    • La vie du ferme

    • Landscape with Farmhouses

    • Hoofd Van Een Jonge Vrouw

    • Flowers

    • Bloemen Onder Glazen Stolp

    • Potato harvest

    • Landscape

    • Leading Cows to the Stall

    • Nude by a window

    • The young captain

    • Zomer te Latem

    • Barnyard with Herd

    • The Man with the Bottle

    • Nu couché

    • View of a village with a boat

    • A windmill in a landscape, Het Gooi

    • The port of Ostend

    • De Haven

    • Grazing Cow

    • Girl with a pink ribbon

    • Haystacks

    • Le couple au village

    • De Wiedster

    • The ripe cornfield

    • A view of Blaricum

    • Dark snow

    • La femme au rosier

    • Ghent, a View of the Coupure

Views

Quotations: “What my work in general concerns is my endeavors to express everything as well as possible, not to imitate a piece of nature, but to create almost a synthesis of each painting.

He married Augusta van Hoorebeke on 19 February 1898; their son Firmin would later die in a train accident during the First World War.

Around 1906, he became friends with Frits Van den Berghe and Constant Permeke in the Ghent working-class district of Patershol. His works have been widely exhibited in museums and galleries around the world and have been recognized for their daring use of color, shape and texture.

Gustave De Smet, artist, painting, sculpture, granite

— Valeria Marino

Gustave De Smet on Design+Encyclopedia

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The gallery’s collection was auctioned off without limit.

gustave de smet biography sample

But modernism made its effects known in De Smet’s artistic work only after 1915.

Background

Gustave de Smet was born on January 21, 1877 in Gand, Oost-Vlaanderen, Belgium. He had become familiar with international modernism already before the First World War, among others via the exhibitions at the Galerie Georges Giroux in Brussels.

One of the key aspects of De Smet's work is his unique use of color. In the 1890s, Gustave was involved with the decoration of the exterior of the Spitzner museum, a famous fairground attraction of the time. It was there that he died on 8 October 1943.