E irving couse biography of abraham
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However, upon the advice of fellow artists, Joseph Henry Sharp and Ernest Blumenschein, Couse made his first visit to Taos in 1902. The idealized arrangements of the figures in their forest or pueblo settings become almost interchangeable when viewed together as a whole.
Through the many paintings created for the railroad, his painting received national exposure and brought recognition to Taos. A typical color scheme of the artist’s encompasses a desire to give richness and subdued vibrancy to his settings; earth tones are intermingled with stronger shades of orange-red, slate green, and deep blue so as to enliven the surface without altering the overall stillness of the subject.
The Couse-Sharp Historic Site in Taos, which includes his preserved studio and home, now serves as a museum and research center, offering insight into his working methods and the broader cultural milieu of the Taos art colony.
Stylistically, Couse's legacy is more nuanced.
Yet, Couse’s power as a painter occasionally transcended the limitations of his subject.
At a young age, Couse drew the Chippewa Indians near his home, setting the foundation for his lifelong fascination with Native American culture. He clearly wanted to continue to paint the subject that had brought him fame, so he adopted a formula for his Indian painting. His lifelong pursuit of painting Native Americans was kindled by the beauty and tranquility of the local Chippewa and Ojibwa cultures.
He spent every summer painting in Taos until 1927, when he finally established a permanent residence there. As a young man, he left Michigan in pursuit of advanced training and better opportunities, first studying at the Chicago Art Institute, then at the National Academy of Design in New York City. Irving Couse
1866-1936
Eanger Irving Couse was born in Saginaw, Michigan.
The following summer, at the urging of his friend Joseph Sharp, he traveled to New Mexico and rented a house in Taos next door to the studio of Bert Phillips. He was probably the Taos Society member with the highest reputation in his lifetime
There is little doubt that Couse cultivated the popularity that came to him through is painting. For the next two years, 1885-1887, Couse was a student at the National Academy of Design in New York. Each year, he won awards at the Academy's student exhibitions.
In 1887, Couse went to Paris, where he studied under Adolphe Bouguereau and Robert Fleury at the Academie Julian.
Resources: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986
Eanger Irving Couse, or E.I., was perhaps the most famous member of the Taos Society of Artists. Couse chose a career in art at an early age, studying at the Chicago Art Institute, the National Academy of Design in New York, and, as was the dream of many young artists of the time, at the Académie Julian in Paris.
His Taos Indians inhabit a picturesque world created by the artist; they no longer seem to be noble savages, but noble ornaments.
His works are exhibited at The Metropolitan Museum of Art; the Smithsonian Institution; the Gilcrease Institute of Art; and the Museum of New Mexico, among other public and private collections.
He rented a house next door to Phillips' studio and began painted the people of the Taos Pueblo. In 1902, he moved to New York and attracted critical praise.