Dan maraya jos biography of barack

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Dan Maraya showed an early interest in music and came under the influence of local professional musicians. Dan Maraya, who began his career at the age of 7 as a drummer with Mamu, a female singer, often chronicles the plight of the masses in his songs. Dan Maraya, the solo artiste, uses his kutigi (kutigi is a derivation from the name of his only musical instrument the kutigi, guitar-like equipment which he designed in the early days of his career), for political enlightenment, social commentary, and philosophical exposition.

During instrumental interludes they repeat a fixed pattern for the song they are playing, but while singing, they will often change the notes of the pattern to parallel the melody they are singing.

Like most professional musicians, the mainstay of Dan Maraya"s repertoire is praise singing, but Dan Maraya singles out his personal heroes rather than the rich and famous.

dan maraya jos biography of barack

IntroNigerian musician
Is Musician
From Nigeria
Type Music
Gendermale
Death

20 June 2015

MyWiki IDdan-maraya

Dan Maraya Jos (born Adamu Wayya in 1946 – 20 June 2015) was a Nigerian Hausa Griot best known for playing the kontigi.Dan Maraya Jos, whose name means “The Orphan of Jos”, was born in 1946 and Died Saturday, 20 June 2015 in Bukuru, near Jos in Plateau State, Nigeria.

His Islamic name is Adamu, but his father died shortly after his birth and his mother died while he was still an infant, hence the name by which everyone knows him. One might argue that they are really one large song, and in performance, Dan Maraya incorporates lines from each of them.

However, the recordings that serve as the basis for this study have three distinct musical settings, and the songs themselves have three different themes.

The latter song is amusing in that Dan Maraya performs it as a drama, imitating the voices of the different characters as they speak, a technique that he has used in other songs as well.

Dan Maraya learned the hard facts of life quite early. Dan Maraya Jos is one of the most exposed Kalangu songsters, socially that is. “Gulma-Wuya” [“The Busybody”] describes a neighborhood gossip who works in collusion with a boka (a practitioner in casting spells, removing evil spirits, etc.) to disrupt marriages by sowing dissension between women and their husbands.

His father, Wayya emanated from Sokoto but eventually settled in Bukuru as a drummer in the chief’s palace. Dan Maraya and other kuntigi players are solo performers who accompany themselves with a rapid ostinato on the kuntigi. “Auren Dole” [“Forced Marriage”] decries the practice of families arranging marriages for their daughters rather than letting them decide on their own mates.

During the Nigerian Civil War, he composed numerous songs in praise of soldiers of the federal army and incorporated vivid accounts of scenes from the war in his songs.Many of his songs incorporate social commentary. A prolific songwriter, Dan Maraya since his debut has written about 500 songs on a myriad of issues. During instrumental interludes they repeat a fixed pattern for the song they are playing, but while singing, they will often change the notes of the pattern to parallel the melody they are singing.Like most professional musicians, the mainstay of Dan Maraya’s repertoire is praise singing, but Dan Maraya singles out his personal heroes rather than the rich and famous.

With over 50 records in his repertoire, Dan Maraya has represented Nigeria internationally lora and holds several honors including the Member of the Order of Niger (MON) awarded him in 1980, the United Nation Peace Medal (1983), the BBC (Hausa Service) and the PMAN awards.

Dan Maraya

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Emir of Bukur

Dan Maraya Jos was a Nigerian Hausa Griot best known for playing the kontigi.

These include the songs on marriage in the study here, which probably date from the early 1970s. compile by Aliyu Badeggi.

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Owing to this tragedy, Dan Maraya jettisoned Adamu Wayya his real name

for the pathetic sobriquet, Dan Maraya. One might argue that they are really one large song, and in performance, Dan Maraya incorporates lines from each of them.

His Islamic name is Adamu, but his father died shortly after his birth and his mother died while he was still an infant, hence the name by which everyone knows him. During a trip to Maiduguri while he was still a pre-teen, he was impressed by musicians there and made a kuntigi, with which he has accompanied himself ever since.The kuntigi is a small, single-stringed lute.

His brand of kalangu which he styles kutigi is the simplest form of kalangu music. Subsequent albums by Dan Maraya were also sponsored by the Sardauna until his death in 1966.