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They were going to sign a licensing deal with a big label, and that kinda scared us. Just some minor tweaking of the arrangements.”
From there, the band moved over to Sound City Studios in nearby Van Nuys. So sometimes I’d get to the studio at one and they wouldn’t show up till three because they’d slept in. When Nirvana decided to go with Geffen Records, that label wanted a slick major-label producer.
1978. I said: 'Here's the first grunge song, listen to it!'... He was playing and singing so quietly. It also sheds light on the dynamic between Cobain as a songwriter and the rest of the group as interpreters of his material.
“It [songwriting] is usually done on an acoustic guitar, sitting around in my underwear, just picking out riffs, pieces of songs,” Cobain said on Australian radio.
“Krist and Dave have a big part in deciding on how long a song should be and how many parts it should have.
It’s just the way I write, usually – taking on someone else’s personality or character. Sometimes I question why I enjoy it."
by Joanna Rubiner
Butch Vig's Career
Formed Spooner with Duke Erikson, 1979; founded Smart Studios with Steve Marker, late 1970s; began Boat Records, 1984; formed Fire Town with Steve Marker, mid-1980s; Fire Town signed to Atlantic Records, 1988, and released major label debut album, The Good Life, 1989; produced Nirvana's Nevermind, 1991; formed group Garbage, 1993, and released self-titled debut album, 1995.
Famous Works
- Selective Works
- As producer Tar Babies, Face the Music, Bone Air, 1983.
- Killdozer, Snakeboy, Touch & Go, 1985.
- Nirvana, Sliver (seven inch), Sub Pop, 1989.
- Urge Overkill, Americruiser, Touch & Go, 1990.
- Smashing Pumpkins, Gish, Caroline, 1991.
- Young Fresh Fellows, Electric Bird Digest, Frontier, 1991.
- Nirvana, Nevermind, DGC/Geffen, 1991.
- Sonic Youth, Dirty, Geffen, 1992.
- L7, Bricks Are Heavy, Slash, 1992.
- Smashing Pumpkins, Siamese Dream, Virgin, 1993.
- Sonic Youth, Experimental Jet Set, Trash, and No Star, Geffen, 1994.
- Freedy Johnston, This Perfect World, Elektra, 1994.
- Soul Asylum, Let Your Dim Light Shine, 1995.
- As performer Spooner, Cruel School (EP), Boat, 1979.
- Spooner, Every Corner Dance, Mountain Railroad, 1982.
- Spooner, The Fugitive Dance, Dali/Chameleon, 1990.
- Fire Town, In the Heart of the Heart Country, Boat, 1987.
- Fire Town, The Good Life, Atlantic, 1989.
- (Also producer) Garbage, Garbage, Almo Sounds/Geffen, 1995.
Further Reading
Sources
- Billboard, March 13, 1993; March 23, 1996.
- Goldmine, October 27, 1995.
- Guitar Player, August 1992.
- Melody Maker, March 4, 1995; August 12, 1995.
- Musician, January 1996.
- People, September 9, 1996 RIP, February 1996; June 1996.
- Rolling Stone, May 14, 1992; July 9, 1992; September 17, 1992; September 21, 1995.
- Spin, April 1996.
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Butch Vig
| American musician and music producer Date of Birth: 02.08.1955 Country: USA |
Content:
- American Musician and Producer
- Early Life
- Music Career
American Musician and Producer
Butch Vig is an American musician and music producer who has achieved great success in both roles.
He also didn’t really like to use headphones when he sang, so we set up a fairly elaborate system where he could use speakers.”
Cobain’s legendary impatience with multiple takes came to the fore at this time.
“He really wanted to do everything on the first or second take,” says Vig. “He’d do a couple of takes and say, ‘That’s it.
Both Spooner and Fire Town had gained critical acclaim and small financial success with their releases on Boat, when in 1988 Fire Town was signed to Atlantic Records.
Production of The Good Life was apparently a nightmare for the band. So it wasn't really anything new. This plan paid off in 1992 when he was catapulted to fame as the hottest new music producer on the planet.
Nirvana's music started a ruckus on the underground music scene and on college radio that began a bidding war by the major labels. The band has sold over 17 million copies worldwide and has been consistently ranked among the best bands in the world. It was sight unseen. Meanwhile in a side project, the band Fire Town evolved with Vig, Marker, and some others.
We had no idea it would ever get this insane.”
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“I’m constantly feeling guilty in ways,” Cobain told journalist Michael Deeds shortly after Nevermind’s release.
Although it remains a topic of debate whether he is more of a musician or a producer, there is no doubt that his talent has left an indelible mark on music history.
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"My parents listened to everything from Herb Alpert and the Tijuana Brass," he continued, "to the Beatles to Frank Sinatra to Thelonious Monk, top 40 radio and classical music.A lot of times, I’d actually be going for a first take, but he would think it was just a warm-up. Rolling Stone heralded the album with a four-star review and it eventually went platinum. Dave and Krist were around, but they’d be off playing pool or watching TV. They’d pop in to the control room and listen every now and then, but Kurt kind of wanted to be left alone when he was doing his vocals.
We were kinda drunk, and we were writing graffiti all over the walls of my house.