Bano qudsia biography sample

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You keep it personal and private.”

In her writings, Bano propagated the traits associated with an ideal traditional society with customary moral values such as respect, harmony, a strong family system and ethics.

With Qavi Khan playing the lead character, the play was directed by Agha Nasir and produced by Tauqeer Nasir and performed at the three-day selective event organized by the Pakistan National Council of the Arts in May 2010 at Islamabad.

Qudsia’s latest novel Haasil Ghaat was published in 2005 and was noted for its diction but also criticized then for usages of English slangs than her usual traditional Urdu narrative.

The contrast in the narrative styles of the couple is evident in these two books; while the first half is considered provoking, lucid and utterly spellbinding by critics, the second half takes the feeling of sorrow.

Qudsia, who wrote Urdu novels, dramas and short stories is best known for her novel Raja Gidh (The King Buzzard) and is considered as a modern Urdu classic.

She migrated to Lahore with her family after the partition of India and had begun writing short stories while studying in class 5.^[9] She graduated from the Kinnaird College in Lahore and then joined the Government College University (Lahore) (GCU) to do her masters in Urdu literature which she completed in 1951.^[1]

Qudsia married writer Ashfaq Ahmed whom she had met at the Government College University (Lahore).^[9] They had three sons Aneeque, Anees and Aseer.^[10] The couple had been considered inseparable in their social lives.^[11]

Literary work

Qudsia's novel Raja Gidh (The King Vulture) is considered a modern Urdu classic.^[4] Among her more prominent writings are Aatish-i-zer-i-paa, Aik Din, Asay Pasay, Chahar Chaman, Chhotaa Sheher Baray Log, Footpath ki Ghaas, Haasil Ghaat and Hawa Kay Naam.^[9] The most well known plays she wrote include Tamasil, Hawa ke Naam, Seharay and Khaleej.^[1]

Her critically acclaimed play Aadhi Baat was about a retired headmaster.

While pursuing her Masters in Urdu at Government College, Lahore, she met her life partner, Ashfaq Ahmed, who was her senior at the College. She wrote literature in Urdu, producing novels, dramas plays and short stories. She prophesied that what women consider as their weaknesses are in fact their strengths. Aadhi Baat was performed in May 2010 in Islamabad at a three-day event which was organized by the Pakistan National Council of the Arts.^[6] Ashfaq Ahmed's autobiography Baba Saheba was incomplete at the time of his death in September 2004.

Bano felt that women’s inherent ‘strength of softness’ has been lost in their struggle to prove themselves equal to men. Her ability to craft narratives that resonated with a diverse audience established her as a literary luminary.

Read More: Top 12 Bano Qudsia Quotes in Urdu

Bano Qudsia’s marriage to renowned playwright Ashfaq Ahmed created a literary power couple that significantly contributed to Urdu literature.

She was buried at Lahore on 5 February and prayer services were held at Model Town, Lahore. After her marriage, Bano Qudsia, popularly known as ‘Bano Appa’ (a term of endearment for older sister) in literary circles, went on to establish her very own magazine “Dastango” (storyteller). Her life and career are an enriching tale of literary prowess and cultural contribution.

Early Life & Career

Bano Qudsia, born as Qudsia Chattha on November 28, 1928, in Ferozepur, witnessed the tumultuous years of British India.

Born in Ferozpur, East Punjab in 1928, Bano migrated to Lahore with her family during Partition of the Indian-Subcontinent.

Qudsia and Ashfaq Ahmed left behind three sons Aneeque, Anees and Aseer.

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