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"In Memoriam," Arizona State University Art Museum, http://www.asuartmuseum.asu.edu/jimenez/index.html (December 20, 2006). The flames swirl up from a container placed between the figure's legs, moving up the right side of the torso across the back, around the head, and finally over the entire surface of the extended left arm.
Hispanic-American Art (brochure, Washington, D.C.: National Museum of American Art)
Luce Artist Biography
As a child, Luis Jiménez apprenticed at his father's neon-sign studio.
Following a brief stay in Mexico and six years in New York, he returned to the Southwest in the early 1970s.
Luis Jiménez
Artist
born El Paso, TX 1940-died Hondo, NM 2006
- Also known as
- Luis Alfonso Jiménez Jr.
- Luis A. Jiménez
- Luis A.
Jiménez Jr.
- Luis Alfonso Jiménez
- Luis Jimenez
- Born
- El Paso, Texas, United States
- Died
- Hondo, New Mexico, United States
- Biography
Born in Texas, lives in New Mexico.
Austin American-Statesman , June 15, 2006.
San Francisco Chronicle , June 27, 2006. The work, which evokes the story of Cuauhtemoc, the legendary Aztec warrior who was tortured to death with fire by the Spaniards soon after the Conquest of Mexico in 1521, also reflects Luis Jiménez's keen awareness of Vietnamese monks who practiced self-immolation as a protest against the war in the 1960s.
Jiménez combines size, color, and pose to create a dramatic and heroic effect in this impressive work.
His parents were of Mexican descent and they lived in the hisotric Segundo Barrio district of El Paso, situated just blocks from the U.S./Mexico border and neighboring the Mexican town of Juarez. Jimenéz frequently crossed over to Juarez to go to mariachi concerts and bull fights, and to help with this father's sign business. This exposure to the life on the border would inform his work throughout his career.
Luis Jiménez was an American sculptor best known for his large-scale, brightly colored sculptures steeped in the Mexican-American culture of Texas and New Mexico. His work was greatly influenced by these experiences and began to reflect not only the beauty of Mexican and Latin American people and culture, but the struggles they endured to gain acknowledgment in the colonized world, as well.
At the same time, as the Vietnam War raged on, he took notice of the disproportionate number of young black and brown men being sent to the frontlines.
Sullivan, Edward J., ed, Latin American Art in the Twentieth Century , Phaidon, 1996. With abundant full-color illustrations, the book is organized thematically to reflect the variety of concerns and aesthetic visions that have shaped American art over the past three centuries.
Rocky Mountain News (Denver, CO), June 24, 2006. The piece, commissioned by Denver International Airport, depicted a giant mustang horse and had been in development for nearly a decade, according to Jim Moore, former director of the Albuquerque Museum. New Mexico's governor, Bill Richardson, ordered flags around the state to be flown at half-staff for two days following his death.
Information drawn from New York Times obituary and the Latinos in America blog article "A Latino Legacy of Border Cultures," Ricardo Romo, Ph.D, November 21, 2022.
See a list of available inventory for Luis Jimenez
Smithsonian , March 1993.
His work shows his concern for working-class people and those who have suffered from discrimination.
In 1972 he was awarded a commission by the Donald B. Anderson and Roswell Museum and Art Center in New Mexico to create two outdoor sculptures. In 1966 the artist moved to New York, where he began making painted fiberglass figurative works inspired by the everyday lives of Latin Americans living in the Southwest.
Jiménez died tragically in a studio accident on June 13, 2006 in Hondo, NM. His works are in the collections of the Albuquerque Museum, the Smithsonian American Art Museum in Washington, D.C., the El Paso Museum of Art, the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Museum of Fine Arts in Houston, among others.
Luis Jiménez Biography
Books
Contemporary Artists , 5th ed., St.
James, 2001. He was awarded two National Endowment for the Arts grants and was commissioned to create works for various cities in the West and Southwest, including New Mexico, Denver, and Houston.
Houston Chronicle , June 15, 2006.
Sculptor, painter, and printmaker Luis Jiménez was born in El Paso on July 30, 1940.
He studied art and architecture at the University of Texas and then traveled to Mexico City, where he studied the famous Mexican muralists. He executes preparatory drawings to work out the conceptual and and formal configurations of his sculptures, which are made of fiberglass cast in a mold, then painted and coated with epoxy.