James duffield harding biography of michael jordan

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Tate Gallery. Turner also proved influential.[1] His drawings were praised by John Ruskin in Modern Painters.[1] From the 1830s a range of papers was produced under the name of "JDH pure drawing paper", initially for Winsor and Newton. 371– 2.
Bower, Peter (1999). London: Sampson Low, Marston & Co. p. Turner's Later Papers. ISBN 1-85437-295-5.

Redgrave, Gilbert R.

(1892). By 1807 the family had moved to Greenwich where Harding spent much of his time drawing and painting in Greenwich Park. He was taught perspective by his father, and had lessons from Samuel Prout.[1] At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy.[1]

He was apprenticed to the engraver Charles Pye, but left him after only a year to concentrate on painting watercolours, and when he was 18 he was awarded a silver medal by the Society of Arts.

These artists worked during the same period, offering valuable insights into artistic movements, signature styles, and authentication practices. He was also largely engaged in teaching, counting John Ruskin amongst his pupils.

Harding made his first trip to Italy in 1824, with Charles Hullmandel (1789-1850), and he made numerous trips to the Continent throughout his lifetime.

He frequently contributed to the exhibitions of the Water-Colour Society, of which he became an associate in 1821 and a full member the following year.

He published several books developing his views of art - amongst others: The Tourist in Italy (1831), The Tourist in France (1834), The Park and the Forest (1841), The Principles and the Practice of Art (1845), Elementary Art (1846), Scotland Delineated in a Series of Views (1847) and Lessons on Art (1849). London: Smith, Elder & Co.
"Watercolour societies".

(1911). He was elected an associate of the society in 1820 and a full member in 1821. Oxford University Press.

New York: Dodd, Mead.

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