Filehippo marinetti biography channels
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He and his
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William Carlos Williams
September 17, 1883
March 4, 1963
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Futurism
Art movement
Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century.
According to Marinetti, syntax is powerless and absurd, so the goal is to "speak with free words." He believed that by destroying syntax and punctuation and allowing "images to intertwine disorderly and at random," the frequent net of associations would be thrown into the "dark abyss of life," preventing it from clinging "to the reefs of logic." Marinetti saw logic as standing between humanity and existence, making their harmonization impossible.
Dibbets' "The White Line on the Sea" and floating ice chips in the ocean), and Skywork (light, smoke, and laser constructions above New York). From a very young age, the Marinetti brothers showed a huge love for letters and an exuberant temperament.
In 1894 Marinetti achieves the baccalaureate in Paris and enrolled in the Faculty of Law of Pavia already attended by his older brother Leone, who died in 1897 at only 22 years of age due to cardiac complications.
He moved to the University of Genoa one year before graduation, which he will receive in 1899, he collaborates with the Anheologie revue de France et d'Italie, and wins the Parisian competition of the Samedis populaires with the poem "La vieux marins".
In 1902 he published his first book in verses La conquete des étoiles in which we can already see the first loose verses and those figures that characterize Futurist literature.
Near the socialist political area he never fully adheres to it because of his nationalist ideas, and despite the publication of his King Baldoria on the Avant, a satirical political reflection.
In 1905 he founded the magazine Poesia, through which he began his battle for the affirmation of free verse, for which he first encountered widespread hostility.
They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science.
Publishing manifestos was a feature of Futurism, and the Futurists (usually led or prompted by Marinetti) wrote them on many topics, including painting, architecture, religion, clothing and cooking.
The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting (1914).
After his father died of leukemia in
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Joseph Stella
June 13, 1877
November 5, 1946
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Jules Pascin
March 31, 1885
June 1, 1930
Once "the freeing poet releases the words," he will "penetrate the essence of phenomena," and then "there will no longer be hostility and misunderstanding between people and the surrounding reality." Marinetti's concept of surrounding reality primarily refers to the technological environment, which he negatively perceived due to the rationality of traditional consciousness: "an insurmountable aversion to the iron motor has settled in humanity." Since only "intuition, not reason, can overcome this aversion," Marinetti proposed overcoming reason itself: "innate intuition...
"We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. Marinetti also emphasized the intention to shock and provoke (famous formulations include "without aggression, there is no masterpiece" and "spit on the altar of art").
Continuing the line of Dadaism, Marinetti proposed the liberation of consciousness from the dictates of logic and language.
In order to promote Futurism, Marinetti visited various countries, including Russia in 1910 and 1914.
Unlike expressionism and cubism, which emotionally localized themselves in the "minor register of perceiving the new age," Futurism was characterized by extreme social optimism and a major perception of the future.
Wescott left home in 1914 and
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Hermine David
April 19, 1886
December 1, 1970
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Isadora Duncan
May 26, 1877
September 14, 1927
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James Joyce
February 2, 1882
January 13, 1941
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Jane Heap
November 1, 1883
June 18, 1964
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Janet Flanner
March 13, 1892
November 7, 1978
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Jean Cocteau
July 5, 1889
October 11, 1963
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Joseph Cornell
December 24, 1903
December 29, 1972
The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even Futurist meals. During childhood, he developed a
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Denise Levertov
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Djuna Barnes
June 12, 1892
June 19, 1982
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Dorothy Day
November 8, 1897
November, 29 1980
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Elsa Schiaparelli
September 10, 1890
November 13, 1973
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Eugene Jolas
October 26, 1894
May 26, 1952
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Ezra Pound
October 30, 1885
November 1, 1972
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Fernand Léger
February 4, 1881
August 17, 1955
This committed them to a "universal dynamism", which was to be directly represented in painting. Loy would never be convinced by Marinetti’s defense and explanation of Futurism’s “scorn for women” (156). During the first years of the fascist regime, Marinetti undertook various tours abroad for the dissemination of Futurism, during his travels he gave birth to the idea for a new type of theater, "the realm of chaos and multiplicity."
1922 is the year that sees the publication of, according to its author, "indefinable novel" Gl'Indomabili, which will be followed by other novels and essays.
Important Futurist works included Marinetti's Manifesto of Futurism, Boccioni's sculpture Unique Forms of Continuity in Space, and Balla's painting Abstract Speed + Sound (pictured). In the same year the meeting with the poetess and painter Benedetta Cappa took place and in 1923 she became his wife, and from whom she will have three daughters.
Despite a certain closeness to the communist and anarchist area, Marinetti is not convinced that a Bolshevik revolution like the Russian one is prospectable for the Italian people, and proposes an analysis in his book Beyond the communism published in 1920.
The futurist political program fascinates Mussolini by dragging him to make many of the innumerable points of the programmatic manifesto.
Although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. ... Within the same framework of artistic values, Futurism developed its programmatic orientation towards primitivism as a paradigm of artistic technique (such as the "red paints that scream"). Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia, an article then reproduced in the French daily newspaper Le Figaro on Saturday 20 February 1909.