Baburen dirck van biography definition
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Rijksmuseum, Amsterdam
Dirck van Baburen was probably born in Wijk bij Duurstede, but his family moved to Utrecht when he was still young. 101-121.
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A certain coarseness in conception, irregular compositional rhythms, and less atmospheric quality distinguish Baburen's art from that of his greater contemporaries, but his manner of painting can be said to be broad and forceful. ISBN 8-84-220233-9.
* Slatkes, L. J., Dirck van Baburen: A Dutch Painter in Utrecht and Rome (1965).
* Slive, Seymour, Dutch Painting 1600-1800 (1995) ISBN 0-300-06418-7.
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Paintings, Drawings
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Dirck van Baburen (1595 – 1624)
Dutch Baroque painter Dirck van Baburen was born in Wijk bij Duurstede in 1595.
Oxford University Press, [March 15, 2007].
* Murray, P. & L., Dictionary of art and artists. He was buried on February 28, 1624, in the Buurkerk, a medieval church which now houses the Museum Van Speelklok tot Pierement. His most important Italian commission was the decoration of a chapel in the Church of San Pietro in Montorio, Rome (1615-20), which included his Entombment (1617).
In 1620 Baburen returned to Utrecht, where he shared a studio with Hendrick Terbrugghen in about 1622-23.
It depicts a man offering a coin for the services of a lute-playing prostitute while an old woman, the lady's procuress, inspects his money. 1622 (Residenzgalerie, Bamberg)
* Loose Company, 1623 (Gemäldegalerie, Mainz)
* Prometheus Being Chained by Vulcan, 1623 (see above)
* Crowning with Thorns, 1623 (Museum Catharijneconvent, Utrecht)
* Crowning with Thorns, 1623 (Nelson-Atkins Museum of Art, Kansas City, Missouri)
* Cimon and Pero (Roman Charity), ca.
^ Brown, p. In 1619 he became a member of the spiritual council of Andrea della Fratte. 1623 (Kunsthalle, Hamburg)
References
Notes
1. ^ Levine.
3. His father was a Jasper van, Utrecht council. Baburen also came to the attention of the art collectors and patrons Vincenzo Giustiniani and cardinal Scipione Borghese, and possibly under their influence he received the commission to paint the altarpiece of the Entombment for the chapel of the Pietà in San Pietro in Montorio around 1617.[1] Baburen was one of the earliest artists to belong to the group of Dutch-speaking artists active in Rome in the seventeenth-century known as the "Bentvueghels" ("Birds of a Feather");[2] his nickname was "Biervlieg" ("Beer Fly", or one who drinks a lot).
In late 1620 Baburen returned to Utrecht, where he began painting genre scenes.
There, he collaborated with fellow countryman David de Haen and befriended the close follower of Caravaggio, Bartolomeo Manfredi. 1617, (San Pietro in Montorio, Rome)
* Capture of Christ, before 1621 (Borghese Gallery, Rome)
* Christ Washing the Feet of the Apostles, before 1621 (Gemäldegalerie, Berlin)
* Uriah's Death in Battle, before 1621 (private collection)
* Youth Playing a Small Whistle 1621 (Centraal Museum, Utrecht)
* The Procuress, 1622 (Boston Museum of Fine Arts)
* Christ among the Doctors, 1622 (National Gallery of Norway, Oslo)
* Backgammon Players, c.
In 1620 he returned to Utrecht and shared his workshop with Hendrick ter Brugghen. Sometime between 1612 and 1615 he travelled to Rome. ^ Brigstocke.
Sources
* Dirck van Baburen in History of Art
* Brigstocke, Hugh, "Baburen, Dirck (Jaspersz.) van," Grove Art Online. 1623 (York City Art Gallery)
* Saint Sebastian Tended by Irene, ca.
Baburen also painted a Capture of Christ (Borghese Gallery) for Scipione Borghese and Christ Washing the Feet of the Apostles (Gemäldegalerie, Berlin) for Vincenzo Giustiniani.[4]
The Utrecht works made between 1621 as 1624, the final years of Baburen's career, merged the visual characteristics learnt from Caravaggio and Manfredi into genre, mythological and history painting.
^ Brown, p.